This article describes the Arabic works on Tarannum art. The sources of traditional texts in this field of study are in deed very limited. Therefore, the objective of this study is to explore new books related to tarannum art. The design of this study is a library study using document analysis method. The findings show that there are twenty one works related to tarannum knowledge in Arabic published by various publishers. This study summarizes all the books as well as provides some highlights on the biography of reciters including life history, education, experience, recording and reading techniques.
In Malaysia to be a problem in adhan inconsistencies when different versions of the muezzin's call to prayer is played by major mosques, particularly in the state. This problem has been going on for so long and it lasted until today. This inconsistency reflects the inherent inability and weakness of the muezzin was in control disciplines tarannum and sound. Diversity version propagated by the call to prayer in mosques in the state can be seen as an example the call to prayer in Sultan Salahuddin Shah Alam Mosque using the maqam Nahawand , Negara Kuala Lumpur Mosque with maqam Nahawand , Sultan Zainal Abidin Mosque at the station Nahawand , Putra Mosque Putrajaya maqam Jiharkah and Nasional University of Malaysia Mosque with maqam Sikah . The question that arises is this prayer slogans are not prepared and formed with a methodology that values discipline and sound proper techniques as recite the adzan upon by Qari's illustrious of countries such as Egypt, Shaykh Ali al-Banna, Shaykh Taha al-Fashni, Shaykh Mustafa Isma c il, Shaykh Muhammad Rif c at and others. The strength and ability of the adhan they proved once selected for inclusion in the radio broadcast of the Quran ( Iza'at al-Qur'an ) since the start of the call to prayer broadcast around the year 1930. Now, the azan by some male-renowned Egyptian reciter was still pulsing and radio broadcasts in the broadcast. This study aims to harmonize the method of adhan an in mosques all over Malaysia in accordance with the methodology of qurra' Egypt which focuses on the aspects of scientific disciplines and techniques of sound through the proposed modules.
Shaykh Muhammad Rif`at is one of the famous reciters in Egypt in the era of the 90's. His stature continues evident after officially been invited as a qari to the opening ceremony of Qari al-Misriyyah Idha`at in 1934. During his involvement in the world of Quranic recitation, Shaykh Muhammad Rif`at had recited the Quran in the mosque of Fadil Basha for 25 years. His determinations to deliver and spread Holy Quran with an intermediate reading in mosques, haflah-haflah and ma'tam also have strongly influenced the next generations of qurra'. Many of the reciters like Shaykh Mustafa Isma`il, Shaykh Abu al-`Aynin Sha`isha', Shaykh `Abdul Fattah and others recognize that he has the greatness and uniqueness of its own in the art of reading the Quran. This is evidenced by some of the titles given to him as Amir al-Qurra', Qitharah al-Sama' and Sawt al-Malaikah by his contemporary reciters. After Shaykh Muhammad Rif`at died in 1950, then relics of his recited turath were uncovered which compiled by his friend, Zakaria Basha and compatriot Muhammad Khamis, as they managed to gather a total of 278 cds contains 19 chapters with the duration of 21 hours.
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