The purpose of the ensuing research is to highlight the patterns of the transformations that have taken place in some of the most prestigious television series in the United States in terms of conflict, characters and the decomposition of the classic categories (freedom). Methodologically, the aim is to make an empirical analysis, within the framework of certain scientific models, that would address the current North American tele-serial post-drama and its antecedents in the dramatic culture so typical of the libertarian and anti-classical worldview that enriches the Spanish language.
This research arises from the need to know the elements that have an impact on the audiovisual competencies of adolescents during the confinements provoked to prevent the spread of COVID-19. The purpose is to diagnose the development of audiovisual communication skills among Ecuadorian adolescents as a contribution to sustainability, based on the intervention of educational actors. The methodology is qualitative, with a descriptive approach. The instruments used were: focus groups with parents, students, and teachers from public and private institutions in Ecuador; semi-structured interviews with experts: and non-participant observation. It can be concluded that adolescents acquire audiovisual skills, processes, and languages autonomously before entering college, but they do so without the social context, ethical values and responsibilities that should be part of complete media learning. The demands of online learning during the pandemic have resulted in the development of skills and attitudes, but they have not led to full media literacy. It is pertinent to provoke innovations and updates in the curricula of higher education, specifically in the careers of social communication, in order to be aware of the technological changes on the basis of deontological principles and in favour of democratic values, tolerance, and responsibility with the sustainability of nature and people.
This article aims to study the main patterns of contemporaneity in the field of stage writing, especially in Europe. Particular reference is made to the problem and function of the text in the age of the image and other issues of special relevance. These notes or stage patterns are compared with those of the most publicized current texts of cinema in Spain, giving rise to the debate on the adequacy of these cinematographic texts to the signs of contemporaneity. The aim of this study is to find out whether the mentioned film texts follow the current guidelines of European contemporary stage writing.
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