This article deals with the process of canon formation for Flemish and Dutch painters from the 17th century onwards. We examine how the essential art-historical treatises and art encyclopedias since Houbraken's Grote Schouburgh der Nederlandsche Konstschilders en Schilderessen ranked and evaluated the leading painters, based on the attention given to them in these volumes. Using standardized z-scores, we map the relative importance the selected artists received in these publications over the 3 centuries. In doing so, we emphasize the path-dependency and the dimension of time in explaining the endurance of certain artists in the long run. From our research it emanates that the canon of Netherlandish painters is much more volatile than previously assumed."When one does a thing, it appears good, otherwise one would not write it.
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