Natural human-computer interaction and audio-visual human behaviour sensing systems, which would achieve robust performance in-the-wild are more needed than ever as digital devices are increasingly becoming an indispensable part of our life. Accurately annotated real-world data are the crux in devising such systems. However, existing databases usually consider controlled settings, low demographic variability, and a single task. In this paper, we introduce the SEWA database of more than 2000 minutes of audio-visual data of 398 people coming from six cultures, 50% female, and uniformly spanning the age range of 18 to 65 years old. Subjects were recorded in two different contexts: while watching adverts and while discussing adverts in a video chat. The database includes rich annotations of the recordings in terms of facial landmarks, facial action units (FAU), various vocalisations, mirroring, and continuously valued valence, arousal, liking, agreement, and prototypic examples of (dis)liking. This database aims to be an extremely valuable resource for researchers in affective computing and automatic human sensing and is expected to push forward the research in human behaviour analysis, including cultural studies. Along with the database, we provide extensive baseline experiments for automatic FAU detection and automatic valence, arousal and (dis)liking intensity estimation.

Fingerprint matching is challenging as the matcher has to minimize two competing error rates: the False Accept Rate and the False Reject Rate. We propose a novel, efficient, accurate and distortion-tolerant fingerprint authentication technique based on graph representation. Using the fingerprint minutiae features, a labeled, and weighted graph of minutiae is constructed for both the query fingerprint and the reference fingerprint. In the first phase, we obtain a minimum set of matched node pairs by matching their neighborhood structures. In the second phase, we include more pairs in the match by comparing distances with respect to matched pairs obtained in first phase. An optional third phase, extending the neighborhood around each feature, is entered if we cannot arrive at a decision based on the analysis in first two phases. The proposed algorithm has been tested with excellent results on a large private livescan database obtained with optical scanners.

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Spectrogram representations of acoustic scenes have achieved competitive performance for acoustic scene classification. Yet, the spectrogram alone does not take into account a substantial amount of time-frequency information. In this study, we present an approach for exploring the benefits of deep scalogram representations, extracted in segments from an audio stream. The approach presented firstly transforms the segmented acoustic scenes into bump and morse scalograms, as well as spectrograms; secondly, the spectrograms or scalograms are sent into pre-trained convolutional neural networks; thirdly, the features extracted from a subsequent fully connected layer are fed into (bidirectional) gated recurrent neural networks, which are followed by a single highway layer and a softmax layer; finally, predictions from these three systems are fused by a margin sampling value strategy. We then evaluate the proposed approach using the acoustic scene classification data set of 2017 IEEE AASP Challenge on Detection and Classification of Acoustic Scenes and Events (DCASE). On the evaluation set, an accuracy of 64.0 % % % from bidirectional gated recurrent neural networks is obtained when fusing the spectrogram and the bump scalogram, which is an improvement on the 61.0 % % % baseline result provided by the DCASE 2017 organisers. This result shows that extracted bump scalograms are capable of improving the classification accuracy, when fusing with a spectrogram-based system.