Language becomes a tool for power and segregation when it functions as a social divider among individuals. Language creates a division between the educated and uneducated, an indigene and non-indigene of a place; an initiate and uninitiated member of a sect. Focusing on the opposition between expressions and their meanings, this study examines Ụmụakpo-Lejja Okǝti Ọmaba chant, which is a heroic and masculine performance that takes place in the Okǝti (masking enclosure of the deity) of Umuakpo village square in Lejja town of Enugu State, Nigeria. The mystified language promotes discrimination among initiates, non-initiates, and women. Ọmaba is a popular fertility Deity among the Nsukka-Igbo extraction and Egara Ọmaba (Ọmaba chant) generally applies to the various chants performed to honour the deity during its periodical stay on earth. Using Schleiermacher’s Literary Hermeneutics Approach of the methodical practice of interpretation, the metaphorical language of the performance is interpreted to reveal the thoughts and the ideology behind the performance in totality. Among the Findings is that the textual language of Ụmụakpo-Lejja Okǝti Ọmaba chant is almost impossible without authorial and member’s interpretation and therefore, they are capable of initiating discriminatory perception of a non-initiate as a weakling or a woman.
For many years, scholars have inexhaustibly studied Arrow of God in relation to pride, over-ambition, extreme conservatism and fear. In addition to these dimensions already studied, this paper examines Arrow of God as a text that thrives in ambiguity, which accrues from the contradictory and dynamic portrayal of characters and events in the text. Characters and events turn out to be the opposite of what they are initially depicted as, and this ultimately makes the text thought-provoking. This paper studies how contradictions are creatively interwoven to sustain the suspense of the text and how they, as well, contribute to the tragic development of the text.
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