Domestic and family violence is a social and public health issue typically positioned in policy frameworks as a consequence of gendered social and economic structures. In this paper, we deploy an approach that draws on Hörl's neo-ecological thinking to propose that the home, as a site of domestic violence, can be usefully framed as an ecology of the domestic, a posthumanist hybrid matrix of bodies, spaces, and objects in which various practices enact the smooth running of the domestic together with practices of domestic and family violence, including coercive control. Our interest is in coercive control and in the impact that the COVID-19 pandemic had on practices which enact this aspect of domestic violence. Our exploration of the practices that enact coercive control draw on the work of Law and others.We examine how practices which are not compatible, or that do not cohere, are able to coexist in a domestic ecology and what occurs when there is a disruption as occurred with the pandemic.
SUMMARY Annamarie Jagose's fiction can be loosely divided into the early short stories and the later novels. The stories are generally feminist and lesbian in content and characters, and contain many traditional story elements. The novels, In Translation and Lulu,are more complex works. In these texts, Jagose is interested in "queering" identity, both heterosexual and homosexual, and in questioning the effectiveness of these traditional taxonomies. Both the stories and novels feature an exquisite control of language, a wry humour, and a deft understanding of human relationships.
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