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This paper introduces a new benchmark for largescale image similarity detection. This benchmark is used for the Image Similarity Challenge at NeurIPS'21 (ISC2021). The goal is to determine whether a query image is a modified copy of any image in a reference corpus of size 1 million. The benchmark features a variety of image transformations such as automated transformations, hand-crafted image edits and machine-learning based manipulations. This mimics real-life cases appearing in social media, for example for integrity-related problems dealing with misinformation and objectionable content. The strength of the image manipulations, and therefore the difficulty of the benchmark, is calibrated according to the performance of a set of baseline approaches. Both the query and reference set contain a majority of "distractor" images that do not match, which corresponds to a real-life needle-in-haystack setting, and the evaluation metric reflects that. We expect the DISC21 benchmark to promote image copy detection as an important and challenging computer vision task and refresh the state of the art.

We address the discovery of composition transfer in artworks based on their visual content. Automated analysis of large art collections, which are growing as a result of art digitization among museums and galleries, is an important tool for art history and assists cultural heritage preservation. Modern image retrieval systems offer good performance on visually similar artworks, but fail in the cases of more abstract composition transfer. The proposed approach links artworks through a pose similarity of human figures depicted in images. Human figures are the subject of a large fraction of visual art from middle ages to modernity and their distinctive poses were often a source of inspiration among artists. The method consists of two steps -fast pose matching and robust spatial verification. We experimentally show that explicit human pose matching is superior to standard content-based image retrieval methods on a manually annotated art composition transfer dataset.

Image retrieval under varying illumination conditions, such as day and night images, is addressed by image preprocessing, both hand-crafted and learned. Prior to extracting image descriptors by a convolutional neural network, images are photometrically normalised in order to reduce the descriptor sensitivity to illumination changes. We propose a learnable normalisation based on the U-Net architecture, which is trained on a combination of single-camera multiexposure images and a newly constructed collection of similar views of landmarks during day and night. We experimentally show that both hand-crafted normalisation based on local histogram equalisation and the learnable normalisation outperform standard approaches in varying illumination conditions, while staying on par with the state-ofthe-art methods on daylight illumination benchmarks, such as Oxford or Paris datasets.

We propose an efficient method to learn deep local descriptors for instance-level recognition. The training only requires examples of positive and negative image pairs and is performed as metric learning of sum-pooled global image descriptors. At inference, the local descriptors are provided by the activations of internal components of the network. We demonstrate why such an approach learns local descriptors that work well for image similarity estimation with classical efficient match kernel methods. The experimental validation studies the trade-off between performance and memory requirements of the state-of-the-art image search approach based on match kernels. Compared to existing local descriptors, the proposed ones perform better in two instance-level recognition tasks and keep memory requirements lower. We experimentally show that global descriptors are not effective enough at large scale and that local descriptors are essential. We achieve state-of-the-art performance, in some cases even with a backbone network as small as ResNet18.