Employing a cultural sociological approach, this article asks how individuals from two postsocialist societies articulate principles of justice by providing narrative accounts of other peoples’ perceived choices and social mobility trajectories after 1989. Using data from an interview study of 67 respondents from former East Germany and the Czech Republic, I present two interrelated findings: First, as respondents negotiate the tension between the principles of merit and need, they show widespread support for the idea that individuals are personally responsible for their fate despite the legacy of egalitarianism commonly associated with postsocialist societies. Second, individuals can effectively challenge the principle of merit by using a certain type of eventful knowledge about economic change after 1989 that is articulated morally but points to the limits of choice. The article distinguishes different notions of deservingness and contributes to the current debate on the links between culture and economics.
A majority of today’s visitors to the Auschwitz memorial site take photos to document their stay. By calling attention to visitors’ photography on site, this article investigates the role of visual perception and visual techniques of memory for visits to memorial sites and empirically discusses the significance of historical imagination in linking the past with the present. Visitors’ photography at Auschwitz can be considered a mnemonic practice because seemingly lookalike, amateur pictures express modes of experience which are negotiated within an ethical and social framework. The strongest emotional impulse expressed in amateur photography on site is the feeling of the sublime, which supports the need to promote moral ideas like freedom or justice in the face of the past. Through participant-orientated research, this article contends that visual perception regulates sensual impressions during a visit and identifies six dominant photographic genres through which visitors focus their historical understanding of the site. Single images function within this as “storyboards” because of their strong narrative as well as mnemonic quality.
How does the aftermath of 1989 shape the meaning of this event today? On the basis of an interview study with sixty-seven respondents from former East Germany and the Czech Republic administered in 2016–2017, this article asks how individuals articulate “economic memories” against the background of the 1990s, a time in which the transition to democracy was accompanied by labor market ruptures. It documents how salient themes of change are narrated in terms of work and its moral dimensions; and how memories of the time are concerned with mobilizing one’s skills in the face of economic change. The article distinguishes five accounts by which respondents differently incorporate the historical event of 1989 into a vernacular, biographical logic. This framework offers a “bottom-up” perspective as a contribution to our understanding of the ongoing contestations over the meaning of the 1989 revolutions.
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