The call for this special issue of Organised Sound, 'Sound Art and Music: historical continuum and mimetic fissures', focused on the precept that sound art and music evolve in a shared world and that the joint navigation of this common terrain would allow new creative approaches to be taken by artists, curators, theorists and participants (listeners). In response to this conception, this journal issue sought to invite said artists, curators, writers, and listeners to present a current interpretation and assessment of such approaches, showing their plurality and revealing the themes and concerns along which further discussions could develop.
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