order to ensure transparency in the development of this document, it arose from a Translating Cultures and Cross-Language Dynamics: Reshaping Community (School of Advanced Study) workshop hosted at the Institute of Modern Languages Research in November 2017 and the ideas within are consequently indebted to all those who contributed to the day (see Wells for details of all of the speakers at the event, in addition to F. Carpenedo, B. Spadaro and G. Wall who took detailed notes). An initial document was subsequently drafted by N. Wells and C. Forsdick, and circulated to all speakers and attendees for further comment. The authors listed alphabetically here are those who contributed with valuable additional responses, suggestions and comments and who subsequently were actively consulted and involved in producing the final version.

No abstract

No abstract

No abstract

No abstract

This collection of critical essays investigates an emergent and increasingly important field of cultural production in Latin America: cyberliterature and cyberculture in their varying manifestations, including blogs and hypertext narratives, collective novels and e-mags, digital art and short Net-films. Highly innovative in its conception, this book provides the first sustained academic focus on this area of cultural production, and investigates the ways in which cyberliterature and cyberculture in the broadest sense are providing new configurations of subjects, narrative voices, and even political agency, for Latin Americans. The volume is divided into two main sections. The first comprises eight chapters on the broad area of cyberculture and identity formation/preservation including the development of different types of cybercommunities in Latin America. While many of the chapters applaud the creative potential of these new virtual communities, identities and cultural products to create networks across boundaries and offer new contestatory strategies, they also consider whether such phenomena may risk reinforcing existing social inequalities or perpetuate conservatism. The second section comprises six chapters and an afterword that deal with the nature of cyberliterature in all its many forms, from the (cyber)cultural legacies of writers such as Julio Cortázar and Jorge Luis Borges, to traditional print literature from the region that reflects on the subject of new technology, to weblogs and hypertext and hypermedia fiction proper.

No abstract

No abstract