Holistic processing has been regarded as a marker of perceptual expertise for many object categories. However, visual word processing, a common form of perceptual expertise in the population, is traditionally considered part-based instead of holistic, and whether it involves holistic processing remains inconclusive. In 4 experiments, we examined a well-known yet less studied indicator of holistic word processing—observers’ sensitivity to changes in configural information of objects. A paradigm was designed with 2 crucial elements: specific requirement to process configural information within a word and an inversion manipulation. Experiments 1 and 2 showed that experienced observers were more sensitive to configural changes when words were presented in the familiar upright than unfamiliar inverted orientation. Of importance, such an inversion effect was correlated with one’s fluency in word recognition in 1 of the conditions (nonnative Chinese readers viewing Chinese characters) where there was a larger variability in word recognition fluency. Experiments 3 and 4 compared sensitivity to configural and component changes in word processing, showing that expert readers were more sensitive to configural changes than component changes (defined as line thickness of parts) in words. The current findings suggest that, similar to face recognition and other domains of perceptual expertise, word recognition involves holistic processing. Instead of being a hallmark of face recognition, holistic processing is a general expertise marker shared by different domains of perceptual expertise.

Visual expertise with musical notation is unique. Fluent music readers show selectively higher activity to musical notes than to other visually similar patterns in both the retinotopic and higher-level visual areas and both very early (e.g., C1) and later (e.g., N170) visual event-related potential (ERP) components. This is different from domains such as face and letter perception, of which the neural expertise marker is typically found in the higherlevel ventral visual areas and later (e.g., N170) ERP components. An intriguing question concerns whether the visual skills and neural selectivity observed in musicreading experts are a result of the effects of extensive visual experience with musical notation. The current study aimed to investigate the causal relationship between visual experience and its neural changes with musical notation. Novices with no formal musical training experience were trained to visually discriminate between note patterns in the laboratory for 10-26 hr such that their performance was comparable with fluent music readers. The N170 component became more selective for musical notes after training. Training was not, however, followed by changes in the earlier C1 component. The findings show that visual training is enough for causing changes in the responses of the higher-level visual areas to musical notation while the engagement of the early visual areas may involve additional nonvisual factors.

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