While egocentric cameras like GoPro are gaining popularity, the videos they capture are long, boring, and difficult to watch from start to end. Fast forwarding (i.e. frame sampling) is a natural choice for faster video browsing. However, this accentuates the shake caused by natural head motion, making the fast forwarded video useless.We propose EgoSampling, an adaptive frame sampling that gives more stable fast forwarded videos. Adaptive frame sampling is formulated as energy minimization, whose optimal solution can be found in polynomial time.In addition, egocentric video taken while walking suffers from the left-right movement of the head as the body weight shifts from one leg to another. We turn this drawback into a feature: Stereo video can be created by sampling the frames from the left most and right most head positions of each step, forming approximate stereo-pairs.
Speechreading is the task of inferring phonetic information from visually observed articulatory facial movements, and is a notoriously difficult task for humans to perform. In this paper we present an end-to-end model based on a convolutional neural network (CNN) for generating an intelligible and natural-sounding acoustic speech signal from silent video frames of a speaking person. We train our model on speakers from the GRID and TCD-TIMIT datasets, and evaluate the quality and intelligibility of reconstructed speech using common objective measurements. We show that speech predictions from the proposed model attain scores which indicate significantly improved quality over existing models. In addition, we show promising results towards reconstructing speech from an unconstrained dictionary.
Isolating the voice of a specific person while filtering out other voices or background noises is challenging when video is shot in noisy environments. We propose audio-visual methods to isolate the voice of a single speaker and eliminate unrelated sounds. First, face motions captured in the video are used to estimate the speaker's voice, by passing the silent video frames through a video-to-speech neural network-based model. Then the speech predictions are applied as a filter on the noisy input audio. This approach avoids using mixtures of sounds in the learning process, as the number of such possible mixtures is huge, and would inevitably bias the trained model. We evaluate our method on two audio-visual datasets, GRID and TCD-TIMIT, and show that our method attains significant SDR and PESQ improvements over the raw video-to-speech predictions, and a well-known audio-only method.
The possibility of sharing one's point of view makes use of wearable cameras compelling. These videos are often long, boring and coupled with extreme shake, as the camera is worn on a moving person. Fast forwarding (i.e. frame sampling) is a natural choice for quick video browsing. However, this accentuates the shake caused by natural head motion in an egocentric video, making the fast forwarded video useless. We propose EgoSampling, an adaptive frame sampling that gives stable, fast forwarded, hyperlapse videos. Adaptive frame sampling is formulated as an energy minimization problem, whose optimal solution can be found in polynomial time. We further turn the camera shake from a drawback into a feature, enabling the increase in field-of-view of the output video. This is obtained when each output frame is mosaiced from several input frames. The proposed technique also enables the generation of a single hyperlapse video from multiple egocentric videos, allowing even faster video consumption.
Fig. 1. Given a speech video and a segment of corresponding, but unaligned, audio, we align the audio to match the lip movements in the video.Many speech segments in movies are re-recorded in a studio during postproduction, to compensate for poor sound quality as recorded on location. Manual alignment of the newly-recorded speech with the original lip movements is a tedious task. We present an audio-to-video alignment method for automating speech to lips alignment, stretching and compressing the audio signal to match the lip movements. This alignment is based on deep audio-visual features, mapping the lips video and the speech signal to a shared representation. Using this shared representation we compute the lip-sync error between every short speech period and every video frame, followed by the determination of the optimal corresponding frame for each short sound period over the entire video clip. We demonstrate successful alignment both quantitatively, using a human perception-inspired metric, as well as qualitatively. The strongest advantage of our audio-to-video approach is in cases where the original voice in unclear, and where a constant shift of the sound can not give a perfect alignment. In these cases state-of-the-art methods will fail.
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