The post-1964 literature on transcription in ethnomusicology and popular music studies is immense but, more than 20 years after its publication, Ter Ellingson's comprehensive book chapter 'Transcription' (in Ethnomusicology: An Introduction, ed. Helen Myers (New York: W.W. Norton & Company, 1993), 110-52) remains the single most useful English-language overview of the history and theory of ethnomusicological transcription. Though less historically oriented than Ellingson's piece, Peter Winkler's incisive 'Writing Ghost Notes: The Poetics and Politics of Transcription' (in Keeping Score: Music, Disciplinarity, Culture, ed.
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