This paper examines the changes of the memorials in Lviv's representative Liberty Avenue throughout the twentieth century as they reflect the changing regimes of memory of the successive political systems, from the Habsburg Empire through the Republic of Poland, the Soviet and German occupation, the Soviet Union to the independent Ukraine.
Desde su nacimiento, derivado directamente de determinadas prácticas editoriales, el libro de emblemas entra en estrecha comunicación con otros impresos ilustrados. Uno de ellos es el libro de fábulas. Este estudio rastrea los presupuestos teóricos de la relación entre la fábula y la imagen simbólica para entender mejor las causas de su progresiva aproximación a la serie emblemática. En un segundo paso se centra en la teorización específicamente barroca sobre la imagen simbólica, atendiendo de manera privilegiada a los textos jesuíticos, tan centrales en este conjunto de ideas. La investigación concluye observando un ejemplo concreto de interinfluencias entre una fábula (la del águila y el escarabajo) y algunas de sus representaciones emblemáticas. The emblem book, from its very inception and deriving directly from certain editorial practices, is closely related to other illustrated book traditions. One of these is the fable book. This study examines the theoretical premises of the relationship between the fable and the symbolic image in order to understand better the causes of their progressive similarity to emblematic illustration. A secondary focus of this study centers on the specifically Baroque theorizing on the symbolic image, with Jesuit texts given a privileged consideration, since they are so central to this nexus of ideas. The study concludes with an analysis of a concrete example of the mutual influences between one fable (that of the eagle and the beetle) and some of its emblematic representations.
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