Visual events are usually accompanied by sounds in our daily lives. We pose the question: Can the machine learn the correspondence between visual scene and the sound, and localize the sound source only by observing sound and visual scene pairs like human? In this paper, we propose a novel unsupervised algorithm to address the problem of localizing the sound source in visual scenes. A two-stream network structure which handles each modality, with attention mechanism is developed for sound source localization. Moreover, although our network is formulated within the unsupervised learning framework, it can be extended to a unified architecture with a simple modification for the supervised and semi-supervised learning settings as well. Meanwhile, a new sound source dataset is developed for performance evaluation. Our empirical evaluation shows that the unsupervised method eventually go through false conclusion in some cases. We show that even with a few supervision, false conclusion is able to be corrected and the source of sound in a visual scene can be localized effectively.

No abstract

Robust Principal Component Analysis (RPCA) via rank minimization is a powerful tool for recovering underlying low-rank structure of clean data corrupted with sparse noise/outliers. In many low-level vision problems, not only it is known that the underlying structure of clean data is low-rank, but the exact rank of clean data is also known. Yet, when applying conventional rank minimization for those problems, the objective function is formulated in a way that does not fully utilize a priori target rank information about the problems. This observation motivates us to investigate whether there is a better alternative solution when using rank minimization. In this paper, instead of minimizing the nuclear norm, we propose to minimize the partial sum of singular values, which implicitly encourages the target rank constraint. Our experimental analyses show that, when the number of samples is deficient, our approach leads to a higher success rate than conventional rank minimization, while the solutions obtained by the two approaches are almost identical when the number of samples is more than sufficient. We apply our approach to various low-level vision problems, e.g., high dynamic range imaging, motion edge detection, photometric stereo, image alignment and recovery, and show that our results outperform those obtained by the conventional nuclear norm rank minimization method.

This paper introduces a new high dynamic range (HDR) imaging algorithm which utilizes rank minimization. Assuming a camera responses linearly to scene radiance, the input low dynamic range (LDR) images captured with different exposure time exhibit a linear dependency and form a rank-1 matrix when stacking intensity of each corresponding pixel together. In practice, misalignments caused by camera motion, presences of moving objects, saturations and image noise break the rank-1 structure of the LDR images. To address these problems, we present a rank minimization algorithm which simultaneously aligns LDR images and detects outliers for robust HDR generation. We evaluate the performances of our algorithm systematically using synthetic examples and qualitatively compare our results with results from the state-of-the-art HDR algorithms using challenging real world examples.

How much can we infer about a person's looks from the way they speak? In this paper, we study the task of reconstructing a facial image of a person from a short audio recording of that person speaking. We design and train a deep neural network to perform this task using millions of natural Internet/YouTube videos of people speaking. During training, our model learns voice-face correlations that allow it to produce images that capture various physical attributes of the speakers such as age, gender and ethnicity. This is done in a self-supervised manner, by utilizing the natural co-occurrence of faces and speech in Internet videos, without the need to model attributes explicitly. We evaluate and numerically quantify how-and in what manner-our Speech2Face reconstructions, obtained directly from audio, resemble the true face images of the speakers.

Video motion magnification techniques allow us to see small motions previously invisible to the naked eyes, such as those of vibrating airplane wings, or swaying buildings under the influence of the wind. Because the motion is small, the magnification results are prone to noise or excessive blurring. The state of the art relies on hand-designed filters to extract representations that may not be optimal. In this paper, we seek to learn the filters directly from examples using deep convolutional neural networks. To make training tractable, we carefully design a synthetic dataset that captures small motion well, and use two-frame input for training. We show that the learned filters achieve high-quality results on real videos, with less ringing artifacts and better noise characteristics than previous methods. While our model is not trained with temporal filters, we found that the temporal filters can be used with our extracted representations up to a moderate magnification, enabling a frequencybased motion selection. Finally, we analyze the learned filters and show that they behave similarly to the derivative filters used in previous works. Our code, trained model, and datasets will be available online.

Accurate representation of soft transitions between image regions is essential for high-quality image editing and compositing. Current techniques for generating such representations depend heavily on interaction by a skilled visual artist, as creating such accurate object selections is a tedious task. In this work, we introduce semantic soft segments , a set of layers that correspond to semantically meaningful regions in an image with accurate soft transitions between different objects. We approach this problem from a spectral segmentation angle and propose a graph structure that embeds texture and color features from the image as well as higher-level semantic information generated by a neural network. The soft segments are generated via eigendecomposition of the carefully constructed Laplacian matrix fully automatically. We demonstrate that otherwise complex image editing tasks can be done with little effort using semantic soft segments.

No abstract