The purpose of this review is to expand understanding of the ways culturally, ethnically, and racially diverse youth have begun to reimagine urban and rural spaces using digital storytelling and photovoice, two methods that often fall under the broad field of youth participatory action research. To explain the conditions under which these methods favor movement toward socially just ideas and actions, we also build on and extend research in critical youth empowerment to call attention to the relational nature of the kind of work that positions youth as coresearchers and democratically engaged citizens. Of importance are the availability of safe, nurturing spaces that foster youth engagement, the quality of relationships between youth and adults, and the extent to which decisions and actions remain in the hands of youth. Finally, this review considers the implications for further research and what it could mean to reimagine schools and communities as spaces where youth have a voice as civically engaged citizens.
Composition Studies emerged as a scholarly research discipline during the 1970s as (a) empirical methods became available to investigate the problem of meaning in discourse and, concomitantly, (b) the work of an international writing research community became institutionalized in the form of new journals and graduate programs. Distinguishing their efforts from prior histories of the field, the authors argue that the development of composition studies needs to be understood as part of a broader intellectual history affecting linguistics and literary studies, as well as composition. Reviewing basic tenets of formalism, structuralism (including both constructivism and social constructionism), and dialogism as root epistemologies organizing the recent histories of these disciplines, the authors conclude with a discussion of the dominant and often parallel themes that have characterized evolving conceptions of language, text, and meaning in composition, literature, and linguistics since the 1950s.
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