Jarhead, Anthony Swofford's 2003 memoir of the Persian Gulf War, and My War: Killing Time in Iraq, Colby Buzzell's 2005 memoir of the Iraq War, emphasize the authors' voyeuristic delight in watching war movies before and during their military service. What follows their enthusiastic consumption of “military pornography,” however, is a crisis of nonidentification and a lingering uncertainty about the significance of war in their own lives. Swofford and Buzzell find that the gaze they initially wielded is turned on them, and in response Swofford roils with sexually coded anger and frustration while Buzzell chooses to amplify his exposure by starting a blog. The two memoirs, then, provide a compelling account of the relation between changing technologies of representation and the experience of postmodern war. These lines of sight, all targeting the spectacle of combat, reveal the contemporary intersections among war, media, and agency.
Acknowledgments vii INTRODUCTION. Cormac McCarthy, Center Stage 1 CHAPTER ONE. First Forays: Early Film Interest and The Gardener's Son 15 CHAPTER TWO. The Unproduced Screenplays: "Cities of the Plain," "Whales and Men," and "No Country for Old Men" 41 CHAPTER THREE. Works for Theater: The Stonemason and The Sunset Limited 69 CHAPTER FOUR.
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