The focus of the study in this research was the Patih Mask dance in the Malang Masked Puppet performance as the opening dance. This dance has a close relationship with space, time, and content in the structure of the show. The purpose of this study is to examine the expression of aesthetic concepts through the structure of artistic symbols in the performance of Malang Masked Puppet. This research used ethnographic methods by emphasizing structural and hermeneutic theories. The aesthetic symbols that are reflected in the unity of the show consist of the ritual concept, characterization, communication, dance moves, make-up and fashion, accompaniment music, and elements of the stage which all lead to a noble behavior. The whole unity of the elements is a symbol of ”Sangkan Paran”. Keywords: Symbols, beginning, Sangkan Paran, Patih Mask, Malang Mask Puppet
This study explores the performance style of a theater artist who reads poetry. Every poet has his own style of performance due to the appreciation factor, the theme of the poem, and the concept imagined by a poet in conveying the message of a poem. The purpose of this study was to describe and analyze the presentation of Iman Soleh’s poetry reading performance when he read his poem entitled “Air, Burung dan Nenek Moyang”. The research method used was descriptive qualitative with data analysis in the form of interviews with three sources. The sources in this study were Iman Soleh as a poet and a poetry reader, Peri Sandi Huizche as a theater activist, and Dohir Harliato as a theater practitioner. Observations are aimed to describe more detail about Iman Soleh's poetry reading performance through his YouTube videos and poem texts given by the poet. Data analysis that was used was interpretation to understand the presentation of Iman Soleh's poetry reading performance. The results showed three factors that influence Iman Soleh's poetry reading performance. These factors are Iman Soleh's personal appreciation, personal style as a result of the creative process as a poet, and Iman Soleh's poetic characteristics Keywords: poetry presentation, performance style, personal expression Abstrak: Penelitian ini mengeksplorasi gaya penampilan seorang seniman teater pembaca puisi. Setiap penyair mempunyai gaya penampilan tersendiri. Hal tersebut disebabkan oleh faktor penghayatan, tema puisi, dan konsep yang dibayangkan seorang penyair dalam menyampaikan pesan dari sebuah puisi. Tujuan penelitian ini adalah melakukan deskripsi dan analisis presentasi penampilan penyair Iman Soleh ketika membacakan puisi berjudul “Air, Burung, dan Nenek Moyang”. Metode penelitian yang digunakan adalah deskriptif kualitatif dengan data analisis berupa hasil wawancara dengan narasumber. Narasumber dalam penelitian ini adalah Iman Soleh sebagai penyair dan pembaca puisi, Peri Sandi Huizche sebagai aktivis teater dan Dohir Harliato sebagai praktisi teater. Observasi ditujukkan untuk mengamati lebih cermat penampilan baca puisi Iman Soleh melalui video YouTube miliknya dan teks puisi yang diberikan penyair. Analisis data menggunakan interpretasi untuk memahami presentasi penampilan baca puisi Iman Soleh. Hasil penelitian menunjukkan ada tiga faktor yang mempengaruhi penampilan pembacaan puisi Iman Soleh. Faktor tersebut adalah penghayatan pribadi Iman Soleh, gaya pribadi hasil proses kreatif sebagai penyair, dan karakteristik kepenyairan Iman Soleh Kata kunci: presentasi puisi, gaya penampilan, ekspresi personal
Beach tourism and seaside settlements are perennially popular. Nature's potential as well as the coast's characteristic hybrid art may always entice visitors. The settlements at the foot of the mountain, on the other hand, have their own unique environmental, gastronomic, and cultural identities. Bedugul village (Indonesia), Albarracin village (Spain), Reine village (Norway), Wengen village (Switzerland), Panglipuran village (Indonesia), Hallstatt village (Austria), Patiangan village (Indonesia), and Ora village (Indonesia) are some of the names given to the villages in Indonesia (Greece). They're all mountain communities that have successfully marketed themselves as tourist destinations at the foot of the mountain. The goal of this research is to come up with a viable approach for village branding at the foot of the mountain. This study is a hybrid of action research and development research, with a focus on tourism village acceleration. The Benjor village residents, Benjor village administrators, and a sample of potential visitors were polled for information. The community around Benjor village, the Malang Regency community, and persons outside the Malang Regency were all surveyed for potential visitors. Individual interviews or focus groups, environmental observations, and archives of village office records and Malang Regency government documents were used to gather data. The purpose of this study is to understand the tourism village process before and after therapy. Mining potential excavation yields eleven environmental assets in the form of waterfalls, five culinary assets in the form of chilli sauce, grilled rice, and other similar dishes, and three cultural assets in the form of hadrah, jaranan, and dancing. The development research yielded seven goods that Benjor villagers found to be the most effective in terms of branding. For mountain slope communities, the greatest method is to combine branded items that showcase their artistic, natural, and gastronomic potential.
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