In Radical Traversals, Sierra Edd combines work on Indigenous art practice and production, politics of aesthetics, and temporal sovereignty, to highlight the potentialities of decolonial imagining and interpretative methods of listening in an analysis of the digital music collection called the Indigenous Futurisms Mixtape. Edd examines how sonic affect and the remix form create spatial and temporal multidimensionality or hyper-presence, to disrupt Western orders of objecthood and colonial logics in music. Drawing on epistemological provocations in Native and Indigenous studies, Black diaspora studies, and Sound studies, this paper uses a theoretical framework of traveling Indigeneity to center collaboration and theorizations on decolonial imagination which describes emergent radical envisioning and world-making as a conceptual tool of troubleshooting. To foreground the engagement with Indigenous and Afro-Indigenous sound and aesthetics in music, Edd uses a method of close-listening, a heterogeneous intimacy or a whole-body encounter with sonic (meta)physics and acoustics. This paper illustrates how listening and engaging with the Mixtape’s political aesthetic form encourages decolonial imagining and employs micro-scale resurgence enacted in quotidian intellectual and emotional knowledge building.
scite is a Brooklyn-based organization that helps researchers better discover and understand research articles through Smart Citations–citations that display the context of the citation and describe whether the article provides supporting or contrasting evidence. scite is used by students and researchers from around the world and is funded in part by the National Science Foundation and the National Institute on Drug Abuse of the National Institutes of Health.
customersupport@researchsolutions.com
10624 S. Eastern Ave., Ste. A-614
Henderson, NV 89052, USA
Copyright © 2024 scite LLC. All rights reserved.
Made with 💙 for researchers
Part of the Research Solutions Family.