The paper presents a study of proteins found in artistic and archaeological objects based on analytical pyrolysis. Proteins (mainly egg yolk and/or egg white, casein, animal glue and collagen) have been extensively used as paint binders, adhesives and varnishes in mural and easel paintings, and they can be found in archaeological findings, such as bones and skin tissues. In order to overcome limitations of wet chemical methods arising from the reduced solubility of aged proteins in samples of cultural heritage, a combination of analytical pyrolysis techniques was used to characterise reference materials, paint reconstructions and samples from different historical periods (2nd century BC-20th century AD) and geographical origins, which were collected from paintings and archaeological findings. In particular evolved gas analysis mass spectrometry (EGA/MS), pyrolysis coupled with gas chromatography/mass spectrometry (Py/GC/MS) and double shot pyrolysis/gas chromatography/mass spectrometry (DSP/GC/MS) were used. This analytical approach allowed us to characterise and differentiate the proteinaceous media, investigate their thermal behaviour and evidence changes occurring with ageing. Data clearly indicate that egg, casein and animal glue can be identified and distinguished in a sample of unknown composition using each of the analytical pyrolysis techniques used. With time though differences tend to disappear to the extent that extremely degraded samples present pyrolytic profiles extremely similar to each other, irrespective of the nature of the proteins present. The data also indicate that proteins tend to become more thermally stable with ageing, suggesting that extensive intramolecular and intermolecular aggregation, and/or covalent cross-linking occur with time

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