This article elaborates on the results of a field experiment conducted among speakers of the Chakali language, spoken in northern Ghana. In the original study, the Color-aid Corporation Chart was used to perform the focal task in which consultants were asked to point at a single colour tile on the chart. However, data from the focal task could not be analysed since the Color-aid tiles had not yet been converted into numerical values set forth by the Commission internationale de l’éclairage (CIE). In this study, the full set of 314 Color-aid tiles were measured for chromaticity and converted into the CIE values at the Daylight Laboratory of the Norwegian University of Science and Technology. This article presents the conversion methodology and makes the results of the measurements, which are available in the Online Appendix. We argue that some visual-perception terms cannot be reliably ascribed to colour categories established by the Color-aid Corporation. This suggests that the ideophonic expressions in the dataset do not denote ‘colours’, as categorised in the Color-aid system, as it was impossible to average the consultants’ data into a CIE chromaticity diagram, illustrate the phenomena on the Natural Colour System (NCS) Circle and Triangle diagrams, and conduct a statistical analysis. One of the implications of this study is that a line between a visual-perception term and a colour term could be systematically established using a method with predefined categorical thresholds.
The aim of this study was to expand the understanding of modern glazing materials' effects on the colour distortion in interiors and to develop a rather simple colour rendering method useful for any type of glazing and based on colorimetry measurements and mathematical calculations. The qualitative and quantitative aspects of different light sources on colour rendering are frequently discussed topics among the researchers, but one of the issues touched only sporadically is the impact of tinted glazing on colour rendering of daylight. The study started from the following question: Is the colour rendering method proposed by Lynes reliable also for present‐day high‐tech glazing types? The experiment was carried out in the Norwegian University of Science and Technology's (NTNU) with the artificial sky, which enables mimicking of skylight of the following correlated colour temperatures: 2700 K, 6500 K and 8000 K. Three high‐tech glazing types were used in five different transmittance scenarios. Colorimetric measurements were taken with the SpectraScan PR655 spectroradiometer. The findings indicated that the Lynes method is reliable to predict which glazing have the biggest impact on all aspects of colour but only in 6500 K. New set of measures have been proposed: average colour shift distance for hue gamut area for Chroma and median transmittance for Value. However, for higher precision regarding the direction of shift and the overall perception of the respective colours in building context, experiments with subjects are needed.
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