<p>The continuous research on TinyML has increased the number of Machine Learning (ML) models capable of running their inference phase in a Resource-Scarce Embedded System (RSES). Therefore, part of the intelligence services run now in the devices at the end of the network. However, many ML models are too complex to run in such tiny devices, and a Cloud system is necessary to implement the network's intelligence inference layer. Every communication between a RSES and the Cloud is expensive in terms of power consumption, money, and time. The following work tries to answer how to reduce the number of times a RSES communicates with the Cloud system while achieving the same ML inference rate, and without reducing the model's accuracy. The results show how by building a cache system that allows the RSES to store previous samples and their predictions, the RSES can use this information to avoid Cloud communication. The solution has proven to work and to accomplish a communication reduction between the cloud system and the RSES by 30%.</p>
This article is about the resistance and resilience of workers when confronted with the likelihood of losing their jobs and seeing the factory where they worked close down. It discusses this topic by concentrating on the particular and singular case of workers’ self-management of Fateleva – Indústria de Elevadores, a firm that specialized in the production and maintenance of elevators, located in the northern part of Lisbon Metropolitan Region, Portugal. It was occupied by its workers in the context of the Carnation Revolution (1974–1976) and then self-managed until its closure in 2016.
O trabalho aborda as possibilidades estéticas e narrativas do filme-ensaio, ao escavar o seu percurso na teoria do cinema em diálogo com contribuições da filosofia e da literatura. Além de um esforço conceitual de delimitar o domínio do ensaio no cinema, pretende-se fomentar uma reflexão a respeito de alguns de seus gestos, tais como a diluição de fronteiras de gênero cinematográfico, a marca da subjetividade dos/das autores/as nas obras, o imbricamento de pensamento e forma cinematográfica.
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