This article discusses the intensified debate about people of Turkish origin in Germany in the context of speculations about deviating understandings of democracy among the Turkish diaspora in Germany. Based on the thesis that a change in the German integration discourse from measurable material achievements of the migrant community to immaterial aspects of adaptation with regard to norms and values is taking place, an argument for a discourse-theoretical perception of this debate is developed, whereby existing forms of the negatively connoted foreign construction of the community of Turkish origin are discussed.
This paper examines the genesis and development of politicized popular music in Turkey from a political science perspective. For a better understanding of specific factors influencing the content and music, or path dependencies arising from them, a discourse-theoretical framework based on the work of Michel Foucault is used. The main focus of the study is on the genre of Turkish Anatolian Rock of the 1960s and 1970s, which appears as a musical reservoir of hybrid musical forms and political lyricism.
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