This paper presents the bibliometric and visualization method applied to a dataset of 729 documents published in the collaborative economy research field. Four steps are described in details: 1) the delimitation of the field of study; 2) the selection of databases, keywords and search criteria; 3) the extraction, cleaning and formatting, and finally; 4) the co-citation analysis and visualization. The method validation section shows the results obtained by applying our methodological procedure to an author network analysis as well as a source title network analysis.This study is unique in that it presents a co-citation analysis coupled with a network visualization applied to the rapidly growing research area of the collaborative economy as a whole and not only of the collaborative tourism and hospitality research, as has been previously. The originality of this method lies firstly in the fact that the data was extracted from two databases (Scopus and Web of Science) instead of one as is commonly done in analytic studies. Secondly, VOSviewer was our main analytical tool performing the co-citation analysis and the network visualizations.
Il existe peu d’études récentes sur les habitudes de consommation et le comportement dans la recherche d’information musicale au Québec et au Canada. Pourtant, les études réalisées sur le sujet dans d’autres pays suggèrent que l’évolution rapide des technologies a entraîné des changements importants dans les habitudes et comportements des amateurs de musique. Il est essentiel d’avoir une bonne connaissance de ces pratiques pour concevoir des systèmes de repérage et d’exploration de la musique qui répondent aux besoins réels de leurs utilisateurs. Cet article présente les résultats d’une enquête menée auprès de 278 personnes âgées de 18 à 35 ans habitant au Québec. Les objectifs de l’enquête étaient de mieux connaître les habitudes d’achat et d’écoute de musique des jeunes adultes québécois ainsi que la façon dont ils s’y prennent pour découvrir de nouveaux artistes et de nouvelles musiques. Les résultats révèlent que les services d’écoute de musique en continu et les sites de partage de vidéos étaient utilisés par 78% des répondants. Malgré la popularité croissante de ces services, les jeunes québécois n’ont pas totalement délaissé certaines pratiques plus traditionnelles. Ils continuent de valoriser les recommandations musicales de leurs proches, d’écouter de la musique sur CD et d’acheter des fichiers musicaux, même si ces pratiques sont de moins en moins fréquentes.
Very few recent studies have focused on Quebeckers’ and Canadians’ consumption and information-seeking behaviour of music for leisure. However, studies conducted in other countries suggest that the rapid evolution of technologies has resulted in important changes in practices. It is essential to gain a better knowledge of these new practices to design music information retrieval and exploration systems that meet the real needs of users. This article presents the results of a survey of 278 younger adults aged 18 to 35 living in Quebec. The objective of the survey was to increase knowledge of the music listening and purchasing behaviour of young music lovers, and to better understand how they discover new artists and new music. Results reveal that music streaming services and video-sharing websites were used by 78% of respondents. Despite the increasing popularity of these services, young Quebeckers have not entirely abandoned past practices. They still value music recommendations from friends,colleagues or relatives, listen to CDs, and purchase music files, even though these practices are becoming less frequent.
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