The study aimed to depict how the beauty standards construct female objectification in Nappily Ever After and to analyze how the main character struggled toward beauty standards in the Nappily Ever After novel. This study is sought with qualitative methods to reveal the novel's issue. This study applied the theory of beauty myth from Naomi Wolf. The result of the study found that the beauty ideal is a woman who has straightened hair, brightening skin, a tall, slim body, and a pointed nose. Those highlighted Venus’s physical appearance which made her seem to be a typical woman and objectified her to conform to beauty standards. The study concluded that Venus internalized the beauty ideal which made her feel restricted by her looks and resulted in body image dissatisfaction. Venus struggled after she cut her hair which made her become an outcast in beauty image, being invisible by men, dismissal, and judged by people.
Tujuan penelitian ini adalah mengungkapkan bentuk subjektivitas dan otobiografi Chudori sebagai bentuk resistensi melalui pengkajian self-fashioning yang terdapat dalam cerpen "Paris, Juni 1998". Penelitian atas self-fashioning pada cerpen tersebut dilakukan dengan menganalisis teks-teks yang ada secara induktif dan kemudian menggunakan konsep travel writing dari Carl Thompson. Hasil dari penelitian ini menunjukkan bahwa self-fashioning dalam cerpen Paris, Juni 1998 nampak dalam bentuk Cartesian dan Janus-faced, dimana dalam bentuk Cartesian subjektivitas Chudori dimunculkan melalui impressive dan trusthworthy, sedangkan dalam bentuk Janus-faced ditemukan otobiografi Chudori yang muncul dalam bentuk inward scrutiny dan persona.
AbstrakTujuan penelitian ini adalah mengungkapkan bentuk subjektivitas dan otobiografi Chudori sebagai bentuk resistensi melalui pengkajian self-fashioning yang terdapat dalam cerpen "Paris, Juni 1998". Penelitian atas self-fashioning pada cerpen tersebut dilakukan dengan menganalisis teks-teks yang ada secara induktif dan kemudian menggunakan konsep travel writing dari Carl Thompson. Hasil dari penelitian ini menunjukkan bahwa self-fashioning dalam cerpen Paris, Juni 1998 nampak dalam bentuk Cartesian dan Janus-faced, dimana dalam bentuk Cartesian subjektivitas Chudori dimunculkan melalui impressive dan trusthworthy, sedangkan dalam bentuk Janus-faced ditemukan otobiografi Chudori yang muncul dalam bentuk inward scrutiny dan persona.Kata kunci: travel writing, self-fashioning, subjektivitas, otobiografi, Cartesian, Janus-Faced. Abstract The purpose of this research is to reveal the subjectivity and autobiography of Chudori as a kind of resistance through a study of self-fashioning exiting in a short story "Paris, Juni 1998". The self-fashioning study in this research is done by analyzing the text inductively and the applying Carl
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