Ballet dancers have heightened balance skills, but previous studies that compared dancers to non-dancers have not quantified patterns of multi-joint postural coordination. This study utilized a visual tracking task that required professional ballet dancers and untrained control participants to sway with the fore-aft motion of a target while standing on one leg, at target frequencies of 0.2 and 0.6Hz. The mean and variability of relative phase between the ankle and hip, and measures from cross-recurrence quantification analysis (i.e., percent cross-recurrence, percent cross-determinism, and cross-maxline), indexed the coordination patterns and their stability. Dancers exhibited less variable ankle-hip coordination and a less deterministic ankle-hip coupling, compared to controls. The results indicate that ballet dancers have increased coordination stability, potentially achieved through enhanced neuromuscular control and/or perceptual sensitivity, and indicate proficiency at optimizing the constraints that enable dancers to perform complex balance tasks.

Cotton-top tamarins (Saguinus oedipus) selected canes positioned so that a straight inward pull brought food within reach (M. D. Hauser, 1997; see also record 1997-41347-003). Tamarins failed to retrieve food with canes in other positions, and they did not reposition these canes. In this study, tufted capuchin monkeys (Cebus apella) preferred canes they could pull straight in when these were present, but they also repositioned canes in individually variable ways, and their success at obtaining food with repositioned canes improved with practice. In accord with predictions drawn from ecological psychology, capuchins discovered affordances of canes through exploratory actions with these objects, whereas tamarins did not. Ecological theory predicts these differences on the basis of species-typical manipulative activity, and it provides a useful approach for the study of species differences in tool-using behavior.

The authors review spontaneous manipulation and spatial problem solving by capuchin monkeys to illuminate the nature of relational reasoning (wherein two or more elements of a problem or situation are considered together to arrive at a course of action) that these monkeys use in goal-directed activity. Capuchin monkeys master problems with one, two, or three spatial relations, and if more than one relation, at least two relations may be managed concurrently. They can master static and dynamic relations and, with sufficient practice, can produce specific spatial relations through both direct and distal action. Examining capuchins' spatial problem-solving behavior with objects in the framework of a spatial relational reasoning model leads to new interpretations of previous studies with these monkeys and other nonhuman animals. The model produces a variety of testable predictions concerning the contribution of relational properties to spatial reasoning. It also provides conceptual linkages with neurological processes and cognitive analyses of physical reasoning. Understanding relational spatial reasoning, including tool use, in a wider view is vital to informed, principled comparison of problem solving and the use of technology across species, across ages within species, and across eras in human prehistory.

Two individuals acting together to achieve a shared goal often have an emergent set of afforded behavioral possibilities that may not easily reduce to either acting alone. In a series of experiments we examined the critical boundaries for transitions in behavior for individuals walking through an aperture alone or alongside another actor as a dyad. Results from experiment 1 indicated that an intrinsically scaled critical boundary for behavioral transitions was different in individuals than in dyads performing a similar task. Experiment 2 demonstrated that observers are perceptually sensitive to the difference in action parameters for the dyad, while still maintaining perceptual sensitivity about the boundaries of action relative to individuals. In experiment 3, we determined that observers' perception of critical action boundaries for individuals and dyads has a similar informational basis (eye-height scaling). In experiment 4, we demonstrated that observers were able to perceive critical action boundaries for other dyads independently of membership. Together, these results suggest that individuals are sensitive to the affordances related to a joint action, and that this process may not entirely reduce to the perception of the affordances for each individual.

Enhanced proprioceptive feedback strengthens synergistic muscle groups and stabilizes the coordination of limbs, thus contributing to the movement efficiency of ballet dancers. The present study compared lower-limb proprioceptive awareness in professional ballet dancers to matched controls who had no dance training. Two assessment methods were used to test the hypothesis that ballet dancers would demonstrate increased proprioceptive awareness in the ankle, knee, and hip: 1. a joint-position matching task to assess static proprioceptive joint awareness, and 2. an eyes-closed, quiet standing task to assess both static and dynamic proprioceptive awareness through measures of center of pressure (COP) variability. Results of the matching task indicated that the dancers exhibited greater proprioceptive awareness than controls for all three joints (p < 0.001). Also, dancers were equally aware of the positioning of their ankle, knee, and hip joints (p > 0.05), whereas controls were less aware of their ankle position compared to their knee and hip joints (p < 0.001). Measures indexing COP variability during quiet standing did not differ between groups and thus failed to reflect increased proprioceptive awareness in dancers (all p > 0.05). This indicates that quiet stance may have limited value as a means for evaluating proprioception. These findings provide preliminary evidence that enhanced proprioceptive awareness of lower limb joints should be considered as an evaluative criterion for dancers' ability to learn complex ballet skills. They also indicate that quiet standing tasks may not provide sufficient challenge for dancers' enhanced proprioceptive awareness to manifest.