With the improvement in digital mapping technologies and their\ud
accessibility, a great potential for the mapping of new things is\ud
emerging, as is the case with literary mapping. Drawing from a\ud
manifold theoretical framework, this article aims to involve readers\ud
from different fields of study in the complexity of literary cartogra-\ud
phy in the digital era. Starting from recent studies regarding the\ud
relationships between literature and cartography and from the\ud
ontogenetic turn in map studies, the article examines digital literary\ud
mapping projects where cartographic representations are produced\ud
by readers as analytical tools and/or as reading practices for literary\ud
texts. In order to uncover the trends of literary mappings, the paper\ud
focuses on three different processes/elements of the practice:\ud
projects’ processes of data collection, the tools used to map out\ud
texts, and the developers of the projects. Beyond involving the\ud
reader with the state of this practice, the paper aims at providing\ud
hints for future literary mapping practices
Come concetto connotato culturalmente e come oggetto di ricerca, la natura ha luoghi, ma ha anche linguaggi. Uno di questi, la narrazione letteraria, è al centro della riflessione qui proposta. Adottando la prospettiva delle more than human geographies, il contributo esplora due spazi (letterari), quello urbano e quello montano, in cui la natura prende forma come soggetto attivo e creativo. Con l'analisi della natura nell'avanzare dell'urbanizzazione diffusa del Nordest, raccontata da Effetto domino di Romolo Bugaro(2015), e nell'Italia interna dell'Appennino tosco-emiliano de I passi nel bosco di Sandro Campani (2020), il testo letterario viene letto come un ecosistema di voci e soggetti, capace di suggerire sguardi altri sul rapporto fra la natura e l'umano, dentro e fuori la pagina.
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