Currently, in all large and small cities in Kazakhstan, residential and public buildings are being actively built. It should be noted that the quantitative indicators of the construction of residential facilities prevail. The method applied to building residential facilities at the point and quarter increases the population density in urban areas. Increasing the number of residents requires assessing the levels of comfort for pedestrians at different speeds, the safety of sidewalks, and ensuring the accessibility of infrastructure facilities to people. The purpose of the study is to evaluate the quality of comfortable and safe conditions of pedestrian roads as a part of a district of Almaty. The assessment is based on the study of the presence and quality of elements and objects in the structures of transport roads and pedestrian sidewalks, and the determining level of pedestrian comfort is also applied (PCL). As a result of the study, the most problematic streets, the quality of pedestrian accessibility of extensive infrastructure facilities in each residential sector, and the main shortcomings and proposals for their elimination will be identified. The data obtained because of the study can be used in reconstruction, and urban area spatial planning concepts, allowing people to walk to most daily services and institutions, creating maximum opportunities to walk, reducing dependence on road transport, and contributing to the daily life of the community.
The article deals with the problems of technical renovation of the Kazakh theater stage. The relevance of the problem raised in the article is connected with the need for timely changes in the staging practice of theaters of the republic. These issues required a comparative and historical-cultural analysis of the problems of improving the technique of the stage and equipping the stage with equipment in the modern era. The global development of technology has forced many theater professionals to seriously think about the relationship between technology and art. After all, the technical equipment of the stage changed and developed along with the change in the tasks assigned to the theater by society. These problems arose in the theater in ancient times and accompanied the theater throughout its development. From this point of view, the question arises: is it necessary to look for new types of mechanical equipment, or has the theater reached the point where technology threatens art? In order to answer many questions put forward by time, it is necessary first of all to understand how stage technique developed and what role it played in the theater at different stages of its development. This requires a comparative analysis of the use of past and present technologies. It is also necessary to establish the boundaries of the use of technical means and the areas in which they are currently used.
The general theme of the international round table “Innovative and multimedia research in modern theater art”, organized by the departments of theater studies and scenography of T. K. Zhurgenov Kazakh National Academy of Arts, the main topic of which was the resonant premiere of the play Borte by Dulat Issabekov, which raised a wide range of ideas and topical issues. The purpose of this event was to comprehend the problems of innovations in the Kazakh theater in the era of digital technologies. The discussion was attended by a director of the Turkestan Music and Drama Theater Ainur Kopbassarova, a stage director Carlo Shakkaluga, prominent theatrical figures of the republic, directors, heads of regional theaters, actors, set designers, teachers, students of the academy and the capital's university of arts. The methodology basis in the discussion of innovative events taking place in the Kazakh theater were empirical, general scientific and private scientific methods of understanding new approaches in work on a production of a play, on the example of the performance of “Borte”. The study underwent cardinal changes in the theater's performance and production policy, starting with selection of actors who were invited from different theaters of Kazakhstan, to introduction of expensive innovative technical stage equipment. As a result of discussing the problems of introducing innovations in the Kazakh theater, a number of objective constraining factors were identified, such as obsolete technical equipment and stage machinery, etc. Particular attention was paid to the issues of profitability of theatrical production, adaptation methods and operation of specialized technical devices, fundamentally new approaches in selection of actors for the role. During the discussion of the principles of organizing work on the release of a new performance, it was noted that leadership of the Turkestan Theater had successfully introduced new generation technologies in the shortest possible time. Moreover, a fundamentally new algorithm for operation of the stage part of the theater was developed, an extraordinary model for managing production workshops of the theater, technical and technological spectrum of combining innovative methods and techniques in the space of one performance has been expanded.
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