Group 1890 was a short-lived, but highly influential collective of Indian artists formed in 1962. It was composed of twelve members—Jeram Patel as secretary, Raghav Kaneria, M. Reddeppa Naidu, Ambadas, Rajesh Mehra, Gulam Mohammed Sheikh, Himmat Shah, S.G. Nikam, Eric Hubert Bowen, Jyoti Bhatt, Balkrishna Patel, and J. Swaminathan (the spokesperson and ideologue of the collective). The name of the group was taken from the house number of the private residence in which members had their first meeting. The collective had their first and last show in 1963 in New Delhi, inaugurated by then Prime Minister Jawaharlal Nehru. The catalogue essay, "Surrounded by Infinity," was written by Octovio Paz, who was then the Mexican ambassador to India. The aesthetic impact made by Group 1890 in their "primitivist" use of materials and surfaces was soon co-opted by the indigenist art of the Madras/Cholamandal school and the so-called "Neo-tantric" painters. Since the artworks of Group 1890 have, for the most part, not been preserved or documented, it is on the level of the Group’s ideology that they have been recognized as historically significant; paradoxically, in the words of Octovio Paz, their ideology consists of "the deliberate absence of any ideological meaning."
Born in the Baniya community of Mumbai and originally from an artisan caste, Bhupen Khakhar is often considered India’s first "pop artist." Khakhar revealed his homosexual identity in 1982, and is widely considered to be India’s first gay artist, and one of the first openly gay figures within the modern Indian cultural consciousness. Working as a chartered accountant while practicing his own art in 1958, Khakhar met the young Gujarati artist Gulammohammed Sheikh, who encouraged him to join the recently established Fine Arts Department at the M.S. University Bardoa. Following a brief enrollment in evening classes at the J.J. School of Arts in Mumbai, he completed his Master’s in Art Criticism in 1964, and began exhibiting paintings in both group and solo exhibitions. His participation in the renowned "Place for People" exhibition in 1981 and his involvement in the Baroda-based "figurative-narrative movement" are often considered as the discursive events prompting Khakha to reveal his sexual identity. Having participated in a range of international exhibitions including Doucmenta IX (1992), Khakhar received the Indian Government’s Padma Shri Award in 1984 and the Prince Claus Award in 2000. Today, Khakhar is remembered for his poignant paintings (as well as many short stories) depicting India’s small-town bourgeois class, and for opening up the marginalized world of queer desire and identity in India.
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