This article sketches a phenomenology of South Korean skateboarding. Drawing on more than 6 years of experience in the region and 20 months of fieldwork, I explore how Seoul-based skaters negotiate their presence in the built environment through precise spatial expertise, minute bodily gestures, and everyday skillful learning. Specifically, I think through the ways in which architectural minutiae within skate parks affect the skaters’ perceptual experience of the built environment. Significantly, the architectural typology of the Korean skate parks is experienced as spaces of stillness, closeness, and tranquility, providing a serene and placid alternative to the interpretation of skateboarding as a fundamentally spectacular and trick-driven practice.
In this paper, we explore the ways in which we can employ arts-based research methods to unpack and represent the diversity and complexity of journalistic experiences and (self) conceptualisations. We address the need to reconsider the ways in which we theorise and research the field of journalism. We thereby aim to complement the current methodologies, theories, and prisms through which we consider our object of study to depict more comprehensively the diversity of practices in the field. To gather stories about journalism creatively (and ultimately more inclusively and richly), we propose and present the use of arts-based research methods in journalism studies. By employing visual and narrative artistic forms as a research tool, we make room for the senses, emotion and imagination on the part of the respondents, researchers and audiences of the output. We draw on a specific collaboration with artists and journalists that resulted in a research event in which 32 journalists were invited to collaboratively recreate the "richness and complexity" of journalistic practices.
As skaters increasingly engage with and respond to socio-political surges across the globe, skateboarding begins to refract into a multiplicity of situated practices. This includes a new wave of collectives and communities who re-imagine what cities could sound, feel, and be like. Combining filmmaking with ethnographic writing, Sander Hölsgens traces the lived experience of a small group of skaters in South Korea. As a skater among skaters, he unravels the site-specific nuances and relational meanings of skateboarding in Seoul – working towards an intimate portrait of a growing community.
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