Auto-ethnography, an alternative method and form of writing, can make for uncomfortable reading. A transgressive account in the context of professional practice opens out a professional’s life, remaking power relations in the process. Relational ethics is an emerging growth area for auto-ethnographers, given the ethical implications for everyone represented in a transgressive telling. Future directions include fresh juxtapositions of layered auto-ethnographic texts and collaborative accounts that break with the self–other dichotomy.

Drawing on theoretical work within ethnography and poststructuralism, this article discusses a conceptualization of autoethnography as assemblage. The concept of assemblage includes but goes beyond the literal bringing together of a range of heterogeneous elements in different modalities to offer different perspectives on a phenomenon. It challenges and displaces boundaries between the individual and the social through a focus on practice, which offers a new ontology of the social. These ideas are illustrated through excerpts from an autoethnographic study of an occupational therapist working with young people in a Sydney children's hospital in the mid-1980s. The article makes visible a material, relational, and affective landscape of remembered practice. Through successive displacements of the self as the primary site of experience and meaning, we seek to contribute new understandings about the potential for autoethnography to engage with professional practice as a space of multiplicity.

No abstract

No abstract

No abstract