A general conundrum for the Khmu of northern Laos is the
persistent unknowability of spirits. The locals gauge the potency of spirits
by keeping track of spirit stories. Spirit narratives can be conceived
of as transient traces of intangible spirit phenomena, as will be exemplified
by the story of a young man’s spirit affliction. Sharing and silencing
spirit stories are a means of determining the strength of spirits, as well
as an efficacious way to evoke them. Using works that embark from the
fragmentary and experiential character of animist cosmologies, it will be
shown that approaching spirit stories as traces of spirits will be a suitable
way to address the perspectives of those who navigate a world that
is not inhabited by humans alone.
Given that houses have become a key signifier of an orientation towards the future, several villagers in Pliya can be regarded or regard themselves as pioneers of the construction of a new type of house. I will suggest here that the construction of new concrete houses is not to be understood merely as an adoption of lowland styles but as a self‐conscious and selective use of a style of building. Those who are pioneering these houses also discuss their efforts in terms of pioneering acts, emphasising the self‐taught nature of their appropriation of new aspects of craftsmanship. Drawing on long‐term fieldwork among the Khmu of Pliya, and especially on more recent fieldwork in 2019 and 2020, I wish to argue that the way in which new houses have entered the local cosmos and are materialised by pioneering builders highlights a pioneering ethos that infuses local attempts at future‐making, from wet rice cultivation to concrete villas.
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