Virtual museums are the answer a digital society, a new cultural, social, and economic system and a tool for educational innovation and digital learning. This article aims to collate all relevant evidence in virtual cultural museums with a teaching approach and detect what is published using the following question "What is published about virtual museums for educational purposes?". Its objective is to verify what can be found in the academic field about virtual museums for didactic purposes applied to the professional environment. The research analyzes two hundred and twenty-three articles, of which seventeen were selected for their didactic and professional environment characteristics. The bibliographic review presents indicators that determine a virtual museum is an effective tool both in the field of reinforcing learning, as well as in the theoretical and practical development of activities that encourage creation by students.
El objetivo del artículo es mostrar la práctica artística implementada en Genocide Project y, de forma específica, describir y entender su proceso de producción y método de trabajo, para que este pueda servir de referencia a otros artistas o estudiantes, y establecer sinergias con sus propios proyectos de arte. Para ello, se analizan dos experiencias expositivas de cara a estudiar la metodología interactiva y los elementos que las conforman. Esta metodología se compone de cuatro fases que se retroalimentan entre sí: identificación, recopilación, producción y exposición. Por otro lado, los elementos que conforman cada evento expositivo serían: la arqueología de gestión, la puesta en escena y la visitor-experience. Como resultado, se produce un conocimiento aplicado basado en la investigación y en una metodología interactiva que crea un diálogo entre el artista, la víctima y el espectador y, de esta forma, sería susceptible de replicarse.
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