ResumoEste artigo objetivou, por meio de revisão bibliográfica, elaborar uma discussão teórica sobre os dois universos aqui propostos -espaços de lazer e terceira idade -, refletindo acerca das variáveis projetuais dos espaços de lazer para esta parcela da população. O propósito foi apontar que, aos espaços de lazer pensados somente nas funções a que se prestam, devem ser agregados novos elementos, visando otimizar seus usos e interações. Também se buscou refletir sobre como a questão projetual do espaço cria uma "realidade tridimensional" no plano das ideias, cujo resultado é a materialização do projeto na obra. Portanto, é preciso refletir sobre a atribuição dos significados simbólicos de um espaço, especificamente o de lazer, pois eles passam a integrar a ambiência e esta, por sua vez, atua sobre o imaginário de seus usuários, possibilitando ou não a intensificação de seus usos, principalmente no que diz respeito à prática dos lazeres. No que diz respeito à população eleita para a pesquisa, verificou-se que estudos em diversas áreas do saber estão estabelecendo um panorama mais condizente sobre o que é considerada terceira idade no século XXI. AbstractThis article aimed, through literature review, develop a theoretical discussion about the two universes proposed here -leisure facilities and seniors -reflecting about the projective variables of leisure facilities for this population. The purpose was to point out that the spaces of leisure considered only in the functions they provide, must be added new elements to optimize their uses and interactions. We also sought to reflect on how the projective issue of space creates a "three dimensional reality" in terms of ideas, the result of which is the realization of the project's work. Therefore, we must reflect on the allocation of symbolic meanings of space, specifically leisure, as they become part of the ambience and this, in turn, acts on the imagination of its users, or not allowing the intensification of its uses, especially with regard to the practice of leisure. With regard to the population selected for the research, it was found that studies in several areas of knowledge are establishing a more consistent picture of what is considered old age in the twenty-first century.Palavras-chave: Espaços de Lazer. Terceira idade. Idosos. Ambiência.http://dx
Introduction According to the Cruise Line International Association (CLIA), 1 there were 448 cruise ships in 2016 that transported 24.7 million travelers around the world, presenting an increase of 62% in the last 10 years (2005/2015). This increase may be concerning for travelers considering the capacity for mass gathering in cruise ships with a high potential for infectious disease transmission. 2 Allied to this is the risk involved in contact with infectious diseases at some potentially endemic locations along the vessels' routes. 3 Actual cruise ships are built to carry upwards of ~4000 passengers and ~1000 crew and present at least 1 full day of navigation in their itineraries. This represents a high potential risk for the transmission of infectious diseases due to the confinement of these travelers in common spaces, with a high probability of exposure to fomites by the oscillation of the vessel. Furthermore, all internal spaces are air-conditioned. 4 Cruise ships are a recent and accessible modality of travel for a considerable number of Brazilians, carrying 597 011 passengers (2015) along the Brazilian coast. This figure represents the ninth highest number of cruise travelers in the world. 5 Reporting cases and outbreaks is a mandatory measure of surveillance and control on ships; it is meant to prevent the importation of infectious diseases between locations and possibly to control the potential spread, which in Brazil, are the responsibility of the Agência Nacional de Vigilância Sanitária-ANVISA. Considering that infectious diseases may represent a concern during travel season along the Brazilian coast, the current study assessed the cases of infectious diseases that occurred from the year 2009, when the mandatory notification was established by the Brazilian government, through 2015 to identify the main causes of morbidity and deaths along the http://ijtmgh.com
Este artigo trata do processo de reconstrução do Teatro Cultura Artística, inaugurado em 1950 em São Paulo. Com projeto arquitetônico de Rino Levi e mosaico do artista plástico Emiliano Di Cavalcanti, o teatro modernizou o padrão das salas de espetáculo e propiciou a popularização da cultura na região central da cidade. Em decorrência de um incêndio ocorrido em 2008, o edifício sofreu perda estrutural, mantendo íntegra somente sua fachada voltada para o espaço público, identificada pela memória paulistana no painel modernista de Di Cavalcanti. Fundamentada nas etapas do processo de tombamento histórico do teatro, a análise aqui apresentada discute correntes de preservação, técnicas de restauração e políticas de revitalização urbana praticadas na atualidade.
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