SummaryCatherine Keller’s constructive theology includes an original and very interesting combination of process theology, feminist theology and negative theology. This combination culminates in the articulation of an “apophatic panentheism” that is urgent for its accentuation of connectivity and interdependency in our global world. In this article, Keller’s apophatic panentheism is clarified on the basis of her major works on the relational self, creation, apocalyptic patterns of thought, and negative theology.
The Dutch Roman Catholic theologian Erik Borgman (1957), who developed a cultural theology, was appointed as a visiting professor at the liberal Protestant theological Mennonite Seminary in Amsterdam. In this article, his progressive Roman Catholic theology is compared to a liberal Protestant approach. The historical backgrounds of these different types of theology are expounded, all the way back to Aquinas and Scotus, in order to clarify their specific character for the sake of a better mutual understanding. Next, the convergence of these two types of theology in the twentieth century is explained with reference to the philosophy of Heidegger. Finally, the difficulties posed by postmodern philosophies to both a progressive Roman Catholic theology and a liberal Protestant theology are shown. It is asserted that both types of theology claim that the insights of their particular tradition can be relevant beyond this tradition to modern and postmodern humans.
The creativity in the world and the reality of God. The theology of Gordon Kaufman in relation to Wilhelm Herrmann and Rudolf Bultmann. The article aims to defend the compatibility of Kaufman’s concept of a world grounded on immanent creativity and Bultmann’s concept of God who addresses us in the proclamation of the cross. Since Darwin’s natural selection it is hard to conceive of a universe that is designed and allows for the assumption of a creator. Theologians have grappled with the meaning of nature and history from the time their purposiveness was contested. Wilhelm Herrmann argued that we undergo a transforming goodness in our experiences of Jesus’ inner life which makes us confess that the goodness of a hidden God determines the world and makes us contribute to its development. We cannot prove the influence of God’s goodness, but we can experience it personally. Rudolf Bultmann radically changed this perspective. He argued that we are not placed in a meaningful world on behalf of Jesus’ inner life; instead, the proclamation of the cross liberates us from any worldview in order to live authentically. Gordon Kaufman proposes an understanding of God as the creativity in the world and its evolution without any dualism or supernaturalism. He denies a blueprint for creation but accepts a serendipitous creativity that can function as the basis for the articulation of our worldview and our orientation in the world. According to Kaufman, Bultmann still retains the dualistic presupposition of the traditional understanding of God. This article argues that the differences between Kaufman and Bultmann are limited, for whereas Bultmannn underlines the reality of God who addresses us in the proclamation of the cross and thereby recreates us, Kaufman wants to construct a worldview grounded on creativity. The creativity in the world and God’s (re)creative acts are not incompatible
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