The present article brings some articulations toward the relationship between artistic publication and performance. The invertigations on the subject were focused on the trajetory of the north american artist Martha Wilson, founder of the Franklin Furnace Inc., in New York, in the year of 1976. As an extension of her artistic practice, Franklin Furnace Inc., was a room that for two decades summarized the activities of building an artistic publicational archieve with a performance program. Like Martha Wilson, many of the artists that made printed publications were the same as the ones who were performancers -and that at the time were called "Lectures". Through the intersection between publishing and performance, the sense of alernative space expanded so that we could use it for expositions in magazines as for street demonstrations. The relationship between performance and publication is a subject to be discussed on the look of how this so called intersection can be as well an alternate answer on the ways of creation/dissemination of an artistic work.
Como circular as pesquisas realizadas na universidade? Que estratégias podemos criar para que textos, traduções e produções de diferentes ordens possam ser compartilhados em contextos acadêmicos e extra-acadêmicos? Para abordar tais questões, apresento dois projetos: ¿Hay en Portugués? e AULA, ambos integrados como projetos de pesquisa, cujo desdobramentos acontecem nas disciplinas que ministro na Pós-Graduação em Artes Visuais da Universidade do Estado de Santa Catarina.
O texto discute sobre um tipo particular de dispositivo curatorial cujo objetivo é expandir a noção de espaço expositivo e, por conseguinte, a própria noção de exposição. Trata-se da proposição de mostras que são realizadas no espaço de uma publicação, caracterizando-se como um espaço portátil, que expande o circuito dos espaços institucionais de museus e galerias, extrapolam o meio físico de uma sala expositiva, bem como, suas fronteiras geográficas.
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