This essay looks at post 2005 restitution exhibitions of art believed or known to be owned by Jews stolen during National Socialist times in order to examine complex questions and layered relationships involving private property, public institutions and museum display.Ce texte se donne pour objet l’analyse des expositions de restitution d’art spolié aux Juifs pendant l’ère du national-socialisme postérieures à 2005 afin d’examiner les liens entre la propriété privée, les institutions publiques, et les présentations de musée
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