In November of 1934, Algerian Governor General Jules Carde asked the Algiers Police Prefecture to investigate a rumor circulating through the French bureaucracy that “natives” in the Arab cafés (café maures) of the city were tuning in to biweekly Arabic broadcasts transmitted by an unspecified Italian radio station that featured “commentaries unfavorable to France” and “openly attacked France's Muslim policy.” As the governor of three overseas Frenchdépartements, Carde had already received notification that the airwaves over North Africa were becoming dangerous. A few months earlier, Jean Berthoin, the director of national security, or Sûreté, in France's Interior Ministry, warned regional prefects, “In a number of cities a large portion of the radio-electric industry—sales and the construction of devices—is in the hands of foreigners.” Berthoin feared that the dominance of France's radio-electric market by large, multinational firms would allow enemy agents to mask radio transmitters beneath the cover of radio sales and report clandestinely on troop maneuvers and defense preparations. He therefore instructed prefects to begin “discreet investigations” into the civil status, political affiliation, and nationality of radio merchants and their personnel. While ostensibly directed at metropolitan prefects, these Sûreté directives resonated in Algeria—a strategic periphery of “Greater France” and home to a sizeable European population of German and Italian descent and to multiple garrisons of France's indigenous-based African Army (Armée d'Afrique). By 1935, rumors about radio espionage and subversive auditory propaganda circulating through the Algerian colonial bureaucracy compelled Governor Carde to construct a colony-wide surveillance web to monitor radio sales, investigate Algerian listening habits, and assess the effects of radio propaganda on the “native mentality.”
In December 1921, France broadcast its first public radio program from a transmitter on the Eiffel Tower. In the decade that followed, radio evolved into a mass media capable of reaching millions. Crowds flocked to loudspeakers on city streets to listen to propaganda, children clustered around classroom radios, and families tuned in from their living rooms. Radio and the Politics of Sound in Interwar France, 1921–1939 examines the impact of this auditory culture on French society and politics, revealing how broadcasting became a new platform for political engagement, transforming the act of listening into an important, if highly contested, practice of citizenship. Rejecting models of broadcasting as the weapon of totalitarian regimes or a tool for forging democracy from above, the book offers a more nuanced picture of the politics of radio by uncovering competing interpretations of listening and diverse uses of broadcast sound that flourished between the world wars.
This article explores the methodological challenges and possibilities of writing a cultural history of broadcasting in French colonial Algeria during the tumultuous decades between the two world wars. In a diverse, multi-ethnic colonial society, how can historians and media scholars evaluate audience reception? What meanings did radio broadcasting acquire in the colonial context? To answer these questions, this article considers the controversies surrounding two culturally hybrid broadcasts produced by Radio-Algiers during the 1930s. A careful examination of the remaining historical record concerning these broadcasts, from newspaper accounts to archival sources, exposes the cultural fluidity that typified everyday colonial life and reveals how radio broadcasting politicized music and oral language in novel ways. Broadcasting*as a purely sonic medium*challenged the classificatory mechanisms of the French colonial state and the racial and ethnic boundaries that undergirded colonial society. In consequence, historical memories of Radio-Algiers and its role during the waning years of the French empire deny the sonic cultural hybridity that flourished over the interwar airwaves.
Through the history of the short-lived 1947 radio show La Tribune de l’Invalide, this article examines how the social and political context of the Liberation offered disability activists a unique opportunity to demand pensions, medical care, and social services hitherto denied to them by the French state. Drawing on transcripts of the broadcasts and correspondence between listeners and the show’s host Maurice Didier, the article demonstrates how disability activists played a pivotal, if little acknowledged, role in the construction of the postwar welfare state by highlighting French society’s historic neglect of disabled civilians.
scite is a Brooklyn-based organization that helps researchers better discover and understand research articles through Smart Citations–citations that display the context of the citation and describe whether the article provides supporting or contrasting evidence. scite is used by students and researchers from around the world and is funded in part by the National Science Foundation and the National Institute on Drug Abuse of the National Institutes of Health.
customersupport@researchsolutions.com
10624 S. Eastern Ave., Ste. A-614
Henderson, NV 89052, USA
Copyright © 2024 scite LLC. All rights reserved.
Made with 💙 for researchers
Part of the Research Solutions Family.