The present paper tries to present the orthography and pronunciation systems of both English and Arabic languages to clarify points of difficulties that Arab students encounter with pronouncing English words. So it presents the orthography and pronunciation systems in English first then that of Arabic. Both similarities and differences are shown in conclusion section of the study as main findings.
There has been an increasing interest in hate speech due to its impact on both individuals and societies. The term 'hate speech' covers expressions in any form deemed humiliating to any race, religion, ethnic or national group. Hate speech is connected to the freedom of expression , advocacy of hatred and incitement of violence. Thus, it has to be understood in the different contexts in which it occurs. The present study deals with racial hate speech. The main aim of this study is to identify the speech acts employed in articles published in a Rwandan newspaper called Kangura. In order to carry out a pragmatic analysis of racial hate speech, seven extracts have been chosen. The main conclusions arrived at is that directives are the most common ones used in the dissemination of racial hate speech and indirect speech acts outnumber the direct ones.
This study highlights Parallelism as a stylistic device in T. S. Elliot's poem "The Love Song of J. Alfred Prufrock (1915)". This study tries to show the importance of Parallelism in poetry and how it is dominated in the twentieth century. Specifically, it aims to explore the operationality of parallelism as a stylistic device in twentieth-century poetry, identifying the most dominant type of parallelism in twentieth-century poetry and showing how parallelism is useful as a stylistic device for the reader. The study results revealed that Parallelism is manifest, of great use in the interpretation of the poem. The twentieth-century poets in general and T. S. Eliot' depend on parallelism in aestheticizing or beautifying their poems as it represents a set of regularities of form.
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