The painting decoration of the former Lutheran church in Rodowo as a postulate of the spiritual unity of the local protestant communityThe article presents the hitherto unknown decoration of the furnishing of a little Protestant church in Rodowo (near Prabuty, formerly Rodau/Rohdau) in former Ducal Prussia, founded by the local aristocratic Prussia family of the von Schack. After firstly providing an overview of the complicated confessional history of the region, the church, and its patrons, the second part of this article presents the emblematic decoration of church benches based on the "Four Elements," with models for tapestries designed by Charles Le Brun and published in Paris in 1668 (and later in Germany). The original emblems with descriptions of Charles Perrault refer to King Louis XVI as the ideal ruler, but in Rodowo they emphasize the position of the Prussian nobility as the most important social group in the country. The second part of the article presents four unknown easel paintings on the church walls with a symbolic presentation of Lutheran piety connected with Pietism in Ducal Prussia. The entire artistic ensemble in the church refers to the role of noblemen as leaders in the social and religious life of Ducal Prussia.

The article presents the hitherto unknown decoration of the furnishing of a little Protestant church in Rodowo in Ducal Prussia, founded by the local aristocratic family ofthe Schack von Wittenaus. After firstly providing an overview of the complicated confessional history of the region, the church, and its patrons, the second part of this article presents the emblematic decoration of church benches based on the “Four Elements,” with models for tapestries designed by Charles Le Brun and published in Paris in 1668 (and later in Germany). The original emblems, with descriptions by Charles Perrault, refer to King Louis XVI as the ideal ruler, but in Rodowo they emphasize the position of the Prussian nobility as the most important social group in the country. The second part of the article presents four unknown easel paintings on the church walls, with a symbolic presentation of Lutheran piety connected with Pietism in Ducal Prussia. The entire artistic ensemble in the church refers to the role of noblemen as leaders in the social and religious life of Ducal Prussia.

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This article introduces the history of Reformed churches in the Grand Duchy of Lithuania. Against the backdrop of the history of the Reformation there, it discusses the cooperation between the Reformed and Lutherans, the response of the Counter-Reformation, and the history of the most important Lithuanian Reformed churches. It focuses on the nobility, especially the Radziwiłł family, the most important protectors of the Reformed. The family saw the Reformed faith as the key to the unity of the Grand Duchy, and an important way of strengthening the position of Lithuania vis-à-vis the Kingdom of Poland. They hoped that the Reformed faith could become the foundation of a sovereign Lithuanian state. As well as discussing the foundation and fate of Reformed communities in Vilnius and across Lithuania, the article also presents the first detailed account of the interiors and furnishings of their church buildings.