Resumen. La enseñanza y recepción de la literatura en Educación Secundaria vive en nuestros días en un continuo debate educativo: mientras que, entre los docentes, existe un consenso generalizado sobre el valor educativo de la literatura tanto desde un punto de vista formativo como desde la perspectiva académica; los intereses de los jóvenes por la literatura universal se alejan cada vez más de sus hábitos lectores. ¿Cómo acercar, entonces, los clásicos, a las nuevas generaciones y que disfruten del placer de su lectura? Desde este planteamiento inicial, apostamos por el encuentro de dos disciplinas de estudio -Literatura Comparada y Didáctica de la Lengua y la Literatura-al considerar que posibilitan el desarrollo del intertexto lector y una visión intercultural desde la recepción de las obras. Para ello, desarrollamos una propuesta didáctica para trabajar dos obras claves desde una perspectiva intercultural: El Lazarillo de Tormes y Oliver Twist.Palabras clave: educación literaria; didáctica de la literatura; diálogo intercultural; intertexto lector; forma; género literario.Abstract. Teaching and reception of literature in secondary school education is today in a state of constant debate. While among teachers there is general agreement about the pedagogic value of literature, both from an educational point of view and an academic perspective, the interests of young people regarding universal literature are less closely aligned to their reading habits. How can we spark an interest in classic literature in new generations, and help them to enjoy the pleasure of reading? From this initial approach, we focus on two disciplines of study-Comparative Literature and Didactics of Language and Literature-considering that they enable the development of the reader's intertextual and intercultural vision. To this ends we develop an educational proposal for two key works of literature from an intercultural perspective: El Lazarillo de Tormes and Oliver Twist.
Este estudio pretende conocer los títulos que se incluyen en los hábitos de lectura de los estudiantes de 4º de ESO y averiguar qué clásicos de la literatura infantil y juvenil universal conocen para analizar. Finalmente, qué relación existe entre estos datos y la naturaleza de los distintos centros educativos de procedencia. Se ha seleccionado una muestra representativa de 647 alumnos, con valoración muestral d=0.05, que respondieron a un cuestionario para determinar los distintos perfiles lectores. Los resultados indican cuatro grupos lectores: no lectores, lectores accidentales, medios y habituales. Se comprueba de manera significativa que alumnos categorizados como no lectores y lectores accidentales de obras académicas concentran el mismo número de lecturas por placer que lectores habituales. Se demuestra que existe una base común de lecturas a todos los jóvenes que son títulos con gran calado en el mercado editorial. Se verifica que la mayoría de los centros concentran una población lectora accidental. Los resultados de la investigación ofrecen argumentos para defender la necesidad de itinerarios formativos donde se incluyan títulos del interés del alumnado junto con obras canónicas para una educación literaria.
Este trabajo se centra en determinar la recepción de la literatura en lengua inglesa en el sector editorial educativo en España. Tras delimitar una serie de variables en cuanto a la recepción (obra completa o fragmento, lengua, edición, técnicas empleadas), se ha diseñado un corpus que abarca toda aquella producción editorial en literatura en lengua inglesa destinada a lectores entre 12 y 16 años. Las obras identificadas han permitido configurar un corpus de títulos de los que pueden disponer estos jóvenes lectores para el desarrollo de una educación literaria.
This work is part of two research projects of the Plan Propio de Investigación of the University of Cádiz and aims to analyze the relationship between reading habits and music in Secondary Education. This general aim is divided into two specific objectives that arise from the hypotheses which were set out, according to the two phases of analysis that we have defined. Firstly, we propose to analyze the reading progression of the adolescent in the transition between primary and secondary education, since it is based on the widespread idea of the change in reading habits in this educational period. Secondly, we propose to determine if students prefer to read with music and to specify which genres they listen to while reading, as we consider that this is becoming a popular practice and that there are genres and types of music that are shared in the musical universe of the adolescent. The methodology we have followed for this research is divided into two levels: on the one hand, according to the first phase of analysis, we will focus on participants from Cádiz (N = 666); other places in Andalusia (Granada and Almeria) (N = 78); and areas of the rest of Spain (Aragon, Catalonia, Castile–La Mancha and Castile and León) (N = 114). On the other hand, in the last phase, we will take into account international participants: Braga, Portugal (N = 95); Łódź, Poland (N = 67); and Valparaíso, Chile (N = 60), to contrast both the national and international results under the umbrella of Cádiz data. The main findings have led us to consider teacher formation in methodologies that combine, from an intertextual and interdisciplinary perspective, music and literature for the creation of permanent reading habits and a further impact on the formation of literary readers.
This work is part of two research projects of the Plan Propio de Investigación of the University of Cádiz and aims to analyze the relationship between reading habits and music in Secondary Education. This general aim is divided into two specific objectives that arise from the hypotheses which were set out, according to the two phases of analysis that we have defined. Firstly, we propose to analyze the reading progression of the adolescent in the transition between primary and secondary education, since it is based on the widespread idea of the change in reading habits in this educational period. Secondly, we propose to determine if students prefer to read with music and to specify which genres they listen to while reading, as we consider that this is becoming a popular practice and that there are genres and types of music that are shared in the musical universe of the adolescent. The methodology we have followed for this research is divided into two levels: on the one hand, according to the first phase of analysis, we will focus on participants from Cádiz (N = 666); other places in Andalusia (Granada and Almeria) (N = 78); and areas of the rest of Spain (Aragon, Catalonia, Castile–La Mancha and Castile and León) (N = 114). On the other hand, in the last phase, we will take into account international participants: Braga, Portugal (N = 95); Łódź, Poland (N = 67); and Valparaíso, Chile (N = 60), to contrast both the national and international results under the umbrella of Cádiz data. The main findings have led us to consider teacher formation in methodologies that combine, from an intertextual and interdisciplinary perspective, music and literature for the creation of permanent reading habits and a further impact on the formation of literary readers.
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