The present article identifies three waves in the integration of psychology and theology literature including apologetic, model building, and empirical validation, bringing the discussion to a fourth wave, clinical integration. Rather than a model or destination, clinical integration is an emergent phenomenon of the dynamic complexity of the particular therapeutic configuration and therefore is best learned through supervisory experience, which includes observing, hearing, and reading cases. Subsequently, the articles that make up this special volume are case studies. In addition, the article notes the lack of cultural and theological diversity in the integration literature so invited authors were selected not only for their scholarship, but also for being newer voices in the field and for their personal diversity. The rewards, challenges, and ethics of writing about clinical cases are also explored.
This poem is dedicated to Geoffrey Canada and the Harlem Children's Zone and to Luis Rodriguez. I wrote this poem in response to the frustration I was feeling while delving into policy questions and strategies with various community leaders and think tank wonks about how to reverse the disparities of young men and boys of color in California. I am an original member of the Alliance for Boys and Men of Color, a coalition of community based organizations, researchers, foundations, and public systems engaging in a 10-year strategy to improve outcomes for boys and men of color, which was started by The California Endowment. I noticed and felt a number of things during the first two years of this work. There was a lot of deficitfocused talk and a lot of attention paid to the overwhelming negative elements affecting boys of color (African-American = Black, and Latino = Brown), including health disparities like disease and violent death, a 50% high school dropout rate, a lack of knowledge of cultural identity and history, etc. Though we were talking about breaking out of system silos (i.e. ways of evaluating and treating these youth from institutionalized perspectives -hospitals, schools, prisons, social services -without sharing information), I felt like we were not focusing on what Black and Brown communities have in common. It seemed to me that once we had identified our shared problems, we needed to identify our shared assets. However, many of the solutions were not focused on healing, or common strengths, or even culture as a solution. The focus was often on money and laws. I felt that I needed to write a poem that also addressed the demographic shift towards a brown America, where the questions of race and how these questions were applied to policy and political discourse should no longer be dominated by a Black-White dichotomy. Our reality forces us to move toward a discussion of a brown America. Brown mixes all the colors. We need to use our shared history as an asset, a means to heal, and a trusted guide into the future.1 Paul S. Flores is a nationally known spoken word artist from San Francisco whose work explores the intersection of urban culture, Hip-Hop and transnational identity. He is also a published poet, playwright, and award-winning novelist. He is a highly respected youth arts development specialist. As a co-founder of Youth Speaks, he has introduced spoken word to youth all over the country and has helped to develop the national platform for young people to build peer relationships and strategize toward a better future through the Brave New Voices: National Teen Poetry Slam, now seen on HBO. He teaches Hip-Hop Theater and Spoken Word at the University of San Francisco. He is currently the manager of the Unity Council Latino Men and Boys Program in Oakland. Please direct all correspondence related to this article to Paul S. Flores at pflo55@yahoo.com.
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