"Fiction seems to be bound to the discovery of the self and the other. By engaging in ethical readings, literature can become a fruitful space of interaction in which the reader and text can communicate in order to make an acquaintance with otherness. In this regard, the present paper consists of several analyses on Irish fiction that propose explorations into the quest of self-discovery. As it stands, self-identity is iterated in terms of knowing both the self and the other and therefore discovering alterity. Through the works of Barry, Beckett and Banville, we intend to demonstrate various approaches towards self-identity and analyse how they came into fruition."
"Through discussions on anthropomorphism, animal research and posthuman sensibilities, this paper intends to analyse how identity is shaped within the human characters so as to account for practices of kinship and to promote a posthuman model that emancipates from the anthropocentric milieu. In the encounter with narratives that have at their core human-animal interactions, we are generally placed in the position to inquire about the development of identity. Paying closer attention to the emergence of new sensibilities within the human subject in relation to the otherness of the animal, we discover that these narratives can have a tendency to instantiate posthuman becomings and introduce characters that transgress the discriminating “line” that is discussed by Margo DeMello. The “line” itself, although operating through a process of othering, is essentially prejudicial as it aids the creation of species hierarchies. Such is the case with Anne Haverty’s protagonist Marty in One Day as a Tiger and Karen Joy Fowler’s character Rosemary in We Are All Completely Besides Ourselves. The human subjects in these narratives enter relations of kinship with their animals and in doing so, they manage to build patterns for kin-making as a key to eradicate speciesism. Therefore, looking at the differing reactions to animal alterity in the eyes of the human, I hope to capture the plurality of these encounters. Keywords: posthumanism, speciesism, kinship, identity, becoming, anthropomorphism "
“To Speak of Cattle is to Speak of Man”: Anthroparchal Interactions in John Connell’s The Farmer’s Son. The present paper intends to build a critique of contemporary farming practices, based on Erika Cudworth’s theory of “anthroparchy.” By exemplifying how anthroparchal interactions function in John Connell’s memoir, I will outline the becoming of a posthuman farmer that awakens certain sensibilities towards nonhuman animals, in ways that compel a rethinking of gendered relations, patriarchy, violence, and capitalist interests. The analysis provides a needed insight into recent developments in Irish rural farming, detailing the position of the human subject in relation to nonhuman otherness and describing some of the changes that need to be made regarding the power relations that are at work within patriarchal systems. To this extent, Cudworth’s theoretical framework and Connell’s memoir are proven to be contributing to the necessary restructuring of farming practices and of human-nonhuman interactions. Keywords: anthroparchy, posthumanism, gender relations, zoomorphism, capitalism, farming
This article employs the graphic narrative Becoming Bone Sheep in order to present visually and textually the theories applied in building a critique of the Anthropocene. Concepts like gaze, becoming process, assemblage, de-flocking, racial proximity, zoe, affirmative transformations or networks will be theorized upon, resulting thus in an apparatus for the defence of all natural life. The graphic narrative exposes the flawed condition of man in relation with the nonhuman by representing a singular interaction between species – the gaze – which manages to dislocate the subjects from their individuality. Moreover, it draws on spatial confines that serve as an expression of parcelling the apparently unseen differences between the species, introducing in the discussion the re-evaluation of agency through what Braidotti calls zoe-centric ethics of becoming. Finally, it intends to delineate approaches for a further debate on countering oppressive structures in the context of Global South literature.
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