JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact support@jstor.org.. University of California Press is collaborating with JSTOR to digitize, preserve and extend access to 19th-Century Music. In 1895, about a year before his death, Anton Bruckner sorted through his manuscripts, organizing those he wished to preserve and destroying the remainder.1 In the process, he came across the autograph score of a Symphony in D Minor which, to the best of our knowledge, he had neglected for more than twenty years. Although the work did not belong to the corpus of nine numbered symphonies for which the composer is best remembered, he included the score among those that he felt worthy of preservation.2 Reluctant to destroy it, yet hoping, perhaps, to ensure that future generations would assess the symphony in what he considered its proper perspective, he wrote annotations at various places in the manuscript. These annotations include
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