Galić et al. [33] have shown that compression based on edge-enhancing anisotropic diffusion (EED) can outperform the quality of JPEG for medium to high compression ratios when the interpolation points are chosen as vertices of an adaptive triangulation. However, the reasons for the good performance of EED remained unclear, and they could not outperform the more advanced JPEG 2000. The goals of the present paper are threefold: Firstly, we investigate the compression qualities of various partial differential equations. This sheds light on the favourable properties of EED in the context of image compression. Secondly, we demonstrate that it is even possible to beat the quality of JPEG 2000 with EED if one uses specific subdivisions on rectangles and several important optimisations. These amendments include improved entropy coding, brightness and diffusivity optimisation, and interpolation swapping. Thirdly, we demonstrate how to extend our approach to 3-D and shape data. Experiments on classical test images and 3-D medical data illustrate the high potential of our approach.

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The work of Levin et al. (2004) popularized stroke-based methods that add color to gray value images according to a small amount of user-specified color samples. Even though such reconstructions from sparse data suggest a possible use in compression, only few attempts were made so far in this direction. Diffusion-based compression methods pursue a similar idea: they store only few image pixels and inpaint the missing regions. Despite this close relation and a lack of diffusion-based color codecs, colorization ideas were so far only integrated into transform-based approaches such as JPEG. We address this missing link with two contributions. First, we show the relation between the discrete colorization of Levin et al. and continuous diffusion-based inpainting in the YCbCr color space. It decomposes the image into a luma (brightness) channel and two chroma (color) channels. Our luma-guided diffusion framework steers the diffusion inpainting in the chroma channels according to the structure in the luma channel. We show that making the luma-guided colorization anisotropic outperforms the method of Levin et al. significantly. Second, we propose a new luma preference codec that invests a large fraction of the bit budget into an accurate representation of the luma channel. This allows a high-quality reconstruction of color data with our colorization technique. Simultaneously, we exploit the fact that the human visual system is more sensitive to structural than to color information. Our experiments demonstrate that our new codec outperforms the state of the art in diffusion-based image compression and is competitive to transform-based codecs.

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