In contemporary literary theory, Plato is often cited as the original repudiator of literary truth, and Aristotle as he who set down that literature is “imitation,” thus himself involuntarily banning literature from truth. This essay argues that these interpretations adulterate the original arguments of Plato and Aristotle, who both believed in literary truth. We—literary theorists and philosophers of literature—should recognize this and rethink our interpretation of these ancient texts. This will, in turn, lead us to ask better questions about the nature of literary truth and value.
This article argues that Sartre's "What Is Literature?" had a profound and direct influence on David Foster Wallace's conception of literature. At the very least, a number of factors oblige scholars to take this interpretation seriously. We know that Sartre's existentialism pervades Wallace's fiction, that Wallace repeatedly mentioned the Existentialists throughout his work, that he'd learned French to read them in the original, and that Sartre was one of his favorites, as testified by Zadie Smith. Most importantly, a comparative analysis of Sartre's text and Wallace's nonfiction shows not only striking parallels but also almost exact repetitions in the writers' fundamental ideals. In this sense, Sartre's direct influence on Wallace appears so major as to invest multiple specific details of Wallace's conception of literature both in its content and in the logical structuring of that content. In this article, we explore the extent of this influence through a structured investigation of its multiple features, showing that many of Wallace's tenetsthe rejection of Realism, the affirmation of meaning-as-use and of literature as a means to human communion and individual and social engagement, and many many morefollow from Sartre's discourse.
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