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Police and gangs have rarely featured as important loci of popular cultural forms, especially in Africa. As an institution, the police in Kenya are abstruse, opaque and often seen as against, and not for society. Popular culture is not only a window and a peek into how a society mainstreams ways of “looking” but also a way through which society articulates potentially controversial subjects. Nothing comes close to the controversy surrounding the subject of police killings of suspected gang members in Eastlands, Nairobi, Kenya. News reports on crime in Nairobi, drawing from news-gathering routines and news values that privilege specific experiences while excluding others, have framed gang violence in specific “singular narratives.” However, Facebook use in Eastlands Nairobi provides a unique canvas through which the imaginary of a “super-cop” is given multiple, if not conflicting meanings. “Super-cops” describe an unorthodox form of policing where specific policemen (mostly male), through a mix of public consent and state sanction, particularly in Eastlands, Nairobi, use extrajudicial means to confront suspected violent gangs. This paper reveals how Facebook groups’ discourse in Eastlands provides lenses that circulate alternative, if not equally controversial readings of so-called “super-cops” in ways that draw from Kenya’s conflicted urban histories to managing violent gangs in the city.

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