This study has been shaped and developed upon the evaluation of the relationship between memory and mimesis in the context of architectural design practice and aims to gain new perspectives regarding mimesis in architecture through the mimetic partnership established by designers with memory. For this reason, memory, one of the concepts of the study, is evaluated as 'visual, conceptual and creative memories' according to the information cycle of design process both in terms of its own internal design and both in the mind of the designer and in the information code it provides. Visual memory; the conceptual memory, which is composed of the universe of infinite constructions in which architectural constructions take place, and which identi-fies the building visuals providing visual data to the designers; traditions, social, cultural facts, human, identity, knowledge, reason, spiritual needs, experiences, habits. Creative memory is; the sensory intelligence that transforms and transforms both visual and conceptual information codes at the point of reproducing is rational mind or mimetic memory. In this context, the study is based on interconnected layers, first of all, in digital networks, the memes of the relevant sources and literature are researched and classified according to their type, quality and meaning. Afterwards, an evaluation was made on the International Archiprix Projects, which gained existence with the participation of students from different cultures and geographies, with the prediction that focusing on buildings that can create a design partnership instead of individual architectural structures will provide a clearer reading of the theoretical approach dominating the study.
This essay aims reading the effect of modernism ideal which had been ideologically adopted during the last period of Ottoman Empire with respect to westernization reforms and during the Republican era on spatial change and transformation on the basis of an agricultural product. Within this context Giresun of which social, cultural, economic development is primarily based on hazelnut from Ottoman to Republican era and reflections of hazeknut on the urban space were determined as subject of our study. The process encompassing production, processing, industrialization of hazelnut and its reflection on urban space has been built on three periods: Industrialization in the last period of the Ottoman Empire (1842-1923), cooperatives and institutionalization in the early Republican period (1923-1950), liberal economic policies after 1950 during which factories and industrial settlements and development (1950-1980) had been involve in the process. The city has evolved from the traditional fabric to a modern urban fabric in the last hundred years; transforming the internal households using hammer and mill into factories using and working with machines and electricity. Establishment of institutions endowed with driving force for development of hazelnut such as Fiskobirlik, Hazeknut Research, Hazelnut exhange market and finally the addition of Fiskobirlik Integrated Facilities which may be defined as an industrial facility of 20th centuryhad been discussed in chronological order along with architectural structures of these establishments.
This study was based on a discussion of the relationship between mimesis and architectural design. Mimesis was accepted as one of the oldest and most basic concepts of artistic and literary efforts, a method to learn and produce a representation of reality from ancient periods to today. However, mimesis is not simply used as imitation, even in ancient periods. Mimesis has a strong relationship with various parameters like the physical material reality of the world, the era, the things the era brings, and the worldview, knowledge, and experience of the designer. In this context, this study is based on the theorem of the internalization of the objective world in the designing process and the mimetic approach in the designing process by including individual approaches in the creation process. To test this theorem, a workshop, conceptualized as "Archi-Mimesis," and accepting mimesis as creative designing doctrine, was organized. We describe Archi-Mimesis as mimesis or re-representation of the architecture, which is different from other nature-based methods like biomimetic, through the interface of mimetic methods maintained by considering reality through the creativity of architectural design and innovation oriented structure.
Sivas’ta SSK, Numune ve Üniversite hastanelerinin Genel Cerrahi kliniklerinde cerrahi girişim uygulanmış olguların girişim öncesi bilgilendirilmiş rızalarının alınması ile ilgili bilgilerin değerlendirilmesi amacıyla 20 Mart-01 Mayıs 2001 tarihleri arasında anket çalışması yapıldı. SSK hastanesinden 89, Üniversite hastanesinden 96 ve Numune hastanesinden 167 olmak üzere toplam 352 hastaya birebir sorularak anket formu uygulandı. Ameliyattan önce bilgilendirilmeyen 44 (% 12.5) olgunun 23’ünü (% 52.3) Üniversite hastanesindeki olgular oluşturmakta olup, bunların çoğu küçük yaşta veya acil olgulardı. SSK hastanesindeki bütün olguların kendilerinden veya yasal temsilciden rızası alınmış olup, Üniversite hastanesindeki olguların % 5.2’sinin, Numune hastanesindeki olguların % 7.2’sinin rızasının alınmamış olduğu belirlendi. Bu çalışmada, tıbbi girişimlerde yasal bir zorunluluk olan bilgilendirilmiş rızanın alınmasında karşılaşılan sorunlar vurgulandı ve bu olgulara yaklaşım biçimi önerildi.Anahtar Kelimeler: Bilgilendirilmiş rıza, tıbbi malpraktis, adli tıp.
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