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For many years, the vocal tract shape has been approximated by one-dimensional (1D) area functions to study the production of voice. More recently, 3D approaches allow one to deal with the complex 3D vocal tract, although area-based 3D geometries of circular cross-section are still in use. However, little is known about the influence of performing such a simplification, and some alternatives may exist between these two extreme options. To this aim, several vocal tract geometry simplifications for vowels [A], [i], and [u] are investigated in this work. Six cases are considered, consisting of realistic, elliptical, and circular cross-sections interpolated through a bent or straight midline. For frequencies below 4-5 kHz, the influence of bending and cross-sectional shape has been found weak, while above these values simplified bent vocal tracts with realistic cross-sections are necessary to correctly emulate higher-order mode propagation. To perform this study, the finite element method (FEM) has been used. FEM results have also been compared to a 3D multimodal method and to a classical 1D frequency domain model.

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Working with the wave equation in mixed rather than irreducible form allows one to directly account for both, the acoustic pressure field and the acoustic particle velocity field. Indeed, this becomes the natural option in many problems, such as those involving waves propagating in moving domains, because the equations can easily be set in an arbitrary Lagrangian-Eulerian (ALE) frame of reference. Yet, when attempting a standard Galerkin finite element solution (FEM) for them, it turns out that an inf-sup compatibility constraint has to be satisfied, which prevents from using equal interpolations for the approximated acoustic pressure and velocity fields. In this work it is proposed to resort to a subgrid scale stabilization strategy to circumvent this condition and thus facilitate code implementation. As a possible application, we address the generation of diphthongs in voice production.

In this paper, a multimodal theory accounting for higher order acoustical propagation modes is presented as an extension to the classical plane wave theory. This theoretical development is validated against experiments on vocal tract replicas, obtained using a 3D printer and finite element simulations. Simplified vocal tract geometries of increasing complexity are used to investigate the influence of some geometrical parameters on the acoustical properties of the vocal tract. It is shown that the higher order modes can produce additional resonances and anti-resonances and can also strongly affect the radiated sound. These effects appear to be dependent on the eccentricity and the cross-sectional shape of the geometries. Finally, the comparison between the simulations and the experiments points out the importance of taking visco-thermal losses into account to increase the accuracy of the resonance bandwidths prediction.

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One of the key effects to model in voice production is that of acoustic radiation of sound waves emanating from the mouth. The use of three-dimensional numerical simulations allows to naturally account for it, as well as to consider all geometrical head details, by extending the computational domain out of the vocal tract. Despite this advantage, many approximations to the head geometry are often performed for simplicity and impedance load models are still used as well to reduce the computational cost. In this work, the impact of some of these simplifications on radiation effects is examined for vowel production in the frequency range 0-10 kHz, by means of comparison with radiation from a realistic head. As a result, recommendations are given on their validity depending on whether high frequency energy (above 5 kHz) should be taken into account or not.

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