The World of the Orient, 2021, № 3 73 afterlife to the deceased, and wealth and prosperity on earth to his descendants. The five tubes served as a kind of symbolic portals for the journey of the soul or souls of the deceased and prac� tically served as incense.It has been established that the decoration of the vase was connected with the aesthetics of Buddhism, which is indicated by the pagoda-like silhouette and the engraved pattern in the form of lotus petals. At the same time, five tubes, similar to bamboo shoots, testify to the Chinese pic� torial tradition and symbolism, in which bamboo embodies resilience, longevity, and spiritual growth. In addition, the number five is the embodiment of the Usin concept and the ideas of the Chinese about China's place in the center of the world.In the process of researching the wares, a number of similar artworks were found providing the grounds to date the wares on the basis of their shape, nature of decoration, and color, namely the plate was dated to the 12-13 th centuries, and the burial vase to the Northern Song period (960-1127).
The article analyzes Qing monochrome products of Chinese porcelain and studies the complex technology of their manufacture. This publication is also devoted to the main identification problems of Chinese monochrome thin-walled ceramics and its terminology. When dating and attributing Chinese monochrome porcelain causes the most difficult problem. Thin-walled monochrome glaze ceramic products manufactured at different times are often distinguished only by barely noticeable changes in parts and other proportions of products. Furthermore, the plagiarism was uncharacteristic of Chinese, and the imitation and copying of works of past epochs, in their opinion, only confirmed the value of original works and even gave a sacred meaning to them. The basis for this approach was the idea of connection between epochs, the continuity of traditions and the respect to ancestors supported by the ruling elite, because it was a part of the official religion of the statе – Confucianism. The secret of regenerative firing has been discovered that restores the natural color of metals in their oxides in the glaze composition thanks to the carbon by giving the rich hue color intensity to the monochrome Chinese ceramics. The play of different colors achieved exclusively by ceramic techniques is very attractive, and products colored in such way are sometimes more expensive than the painted glazed ceramics. In Qing times ceramists manufactured a lot of porcelain products that mimicked samples of previous epochs. From time to time potters created almost exact copies of products, so it is sometimes difficult for present-day researchers to tell the difference between late imitations and original ancient works. That’s way the purpose of this article is to analyze works of Chinese Qing monochrome porcelain from the collection of the Bohdan and Varvara Khanenko National Museum of Arts, to demonstrate the manufacturing technology and terminological features and to specify attributions. This study has been illustrated by pieces from the Bohdan and Varvara Khanenko National Museum of Arts.
Este libro busca dar a conocer una serie de acciones, medidas, estrategias y determinaciones que se han materializado en el seno del Área de Idiomas del Tecnológico de Antioquia - Institución Universitaria, justamente para que sean de conocimiento de la comunidad académica nacional e internacional y que puedan ser replicadas y/o adaptadas en aras del mejoramiento de los procesos formativos de otros espacios académicos y de dicha lengua
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